Michelangelo painting the Prophet Jonah
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Michelangelo painting the Prophet Jonah

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Michelangelo painting the Prophet Jonah
Michelangelo athlete painting on Sistine Chapel ceiling
Michelangelo painting the Sistine Chapel
Themes for Old Testament Prophets Jonah, Micah, Nahum, & Habakkuk.
Michelangelo with his models and assistants
Michelangelo carving sculpture of David
Michelangelo studio model and sketch for athlete on painting Sistine Chapel ceiling
Jonah being swallowed by great fish in stormy sea in the art style of Bible Art --v 6.1
Michelangelo drawing of the expulsion of Adam and Eve from the garden
Michelangelo drawing of the pieta of Christ being held in the arms of Mary and two disciples
Michelangelo painting creation of Adam in Sistine Chapel
Michelangelo with his father and two brothers
Michelangelo and his close friends, Vitoria Colonna, Tomasso dei Cavalieri, Francesco Urbino, Sebastiano del Piombo
Elijah the prophet wrapped his face in his mantle and went out and stood in the entrance of the cave.”
Michelangelo drawing an ignudi sketch
Michelangelo carving sculpture of David
Michelangelo drawing athletes in his studio
Michelangelo illustration for two athletes flying midair
Michelangelo drawing two athletes posing as wrestlers
Jonah being swallowed by great fish in stormy sea in the art style of Bible Art --v 6.1
Jonah being swallowed by great fish in stormy sea in the art style of Bible Art --v 6.1
Jonah being swallowed by great fish in stormy sea in the art style of Bible Art --v 6.1
Michelangelo carving a sculpture in his studio with a model posing as a dying slave
Michelangelo draws Bacchus scene with model posing for him in his studio
Michelangelo art studio model posing as a greek god
Michelangelo carving a sculpture
Michelangelo carving a battle scene
Michelangelo carving a statue of the Risen Christ
architectural vista
Michelangelo draw a figure in his studio
Michelangelo’s intense faith was the primary cause of the greatness of his work. His faith did more than affect the nature of his work—it affected his very thinking on the origin and function of art. Several of his statues portray the struggle of the individual to free himself from matter. He believed that, second only to man, marble was God’s greatest creation and that within each block of marble, there was a figure that God had placed; the job of the sculptor was to release that figure, much like at death our bodies will release our souls.
Michelangelo drawing of the resurrection of Christ
bronze statue of David by Michelangelo
Michelangelo carving a slave sculpture
Michelangelo draws a model posing for the creation of Adam
Michelangelo viewing his Pieta sculpture of Mary holding the body of Jesus
“Neither painting nor sculpture will be able any longer to calm my soul, now turned toward that divine love that opened his arms on the cross to take us in.” – Michelangelo, Poem 285 (Written in 1554)
Michelangelo-drawing-Adam-from-a-model-posing-in-his-studio
a man standing next to a painting on a easel
Michelangelo draws two athletes one sitting and one standing
"Death and love are the two wings that bear the good man to heaven.” - Michelangelo
It's 6 AD. Inside a small synagogue in Nazareth Jesus stands to read from the scroll of the prophet Isaiah. His disciples sit on the floor nearby, and about 40 people, all middle-aged to elderly men in period appropriate dress sit, some in chairs, others on the floor. The lighting is muted and the inside decor is sparse but warm and inviting. Light streams in through a single window opening on one wall and through the back door, where everything else is dark and cool. Outside the heat is beating down and the sun shines brightly. Outside the window some women and children are gathered, waiting for their husbands and fathers and grandfathers to finish. As Jesus reads, some of the men look at each other with surprised expressions. Others show acceptance.