Michelangelo draw a figure in his studio
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Michelangelo draw a figure in his studio

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Michelangelo draw a figure in his studio
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Michelangelo’s intense faith was the primary cause of the greatness of his work. His faith did more than affect the nature of his work—it affected his very thinking on the origin and function of art. Several of his statues portray the struggle of the individual to free himself from matter. He believed that, second only to man, marble was God’s greatest creation and that within each block of marble, there was a figure that God had placed; the job of the sculptor was to release that figure, much like at death our bodies will release our souls.
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head-and-shoulders portrait of an original character: a young man with curly dark hair and headphones around his neck, plain backdrop, no text
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head-and-shoulders portrait of an original character: a young man with curly dark hair and headphones around his neck, plain backdrop, no text
head-and-shoulders portrait of an original character: a young man with curly dark hair and headphones around his neck, plain backdrop, no text
“Neither painting nor sculpture will be able any longer to calm my soul, now turned toward that divine love that opened his arms on the cross to take us in.” – Michelangelo, Poem 285 (Written in 1554)
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