Michelangelo painting creation of Adam in Sistine Chapel
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Michelangelo painting creation of Adam in Sistine Chapel

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Michelangelo painting creation of Adam in Sistine Chapel
Michelangelo painting the Sistine Chapel
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Michelangelo draws a model posing for the creation of Adam
Michelangelo-drawing-Adam-from-a-model-posing-in-his-studio
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Creation of Adam with divine hand reaching out in the art style of Bible Art --v 6.1
Creation of Adam with divine hand reaching out in the art style of Bible Art --v 6.1
Creation of Adam with divine hand reaching out in the art style of Bible Art --v 6.1
Creation of Adam with divine hand reaching out in the art style of Bible Art --v 6.1
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Michelangelo’s intense faith was the primary cause of the greatness of his work. His faith did more than affect the nature of his work—it affected his very thinking on the origin and function of art. Several of his statues portray the struggle of the individual to free himself from matter. He believed that, second only to man, marble was God’s greatest creation and that within each block of marble, there was a figure that God had placed; the job of the sculptor was to release that figure, much like at death our bodies will release our souls.
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“Neither painting nor sculpture will be able any longer to calm my soul, now turned toward that divine love that opened his arms on the cross to take us in.” – Michelangelo, Poem 285 (Written in 1554)
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"The course of my life has now brought me through a stormy sea, in a frail ship, to the common port where, landing, we account for every deed, wretched or holy. So that now I clearly see how wrong the fond illusion was that made art my idol and my king leading me to want what harmed me. My amorous fancies, once foolish and happy: what sense have they, now that I approach two deaths- the first of which I know is sure, the second threatening. Let neither painting nor carving any longer calm my soul turned to that divine love that to embrace us opened his arms upon the cross." - Michelangelo
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a painting of a man sitting on the ground
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