First century Palestine on the road toward Jericho. In a treacherous pass, a man lies on the roadside, beaten half to death. A passerby with a donkey is trying to help. The story of the good samaritan.
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resilientgiant187

First century Palestine on the road toward Jericho. In a treacherous pass, a man lies on the roadside, beaten half to death. A passerby with a donkey is trying to help. The story of the good samaritan.

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Oil Painting Art Styleby @stylecreator
A versatile oil painting style that captures the timeless qualities of the medium - from its rich, blendable colors to its distinctive texture and depth. This style emphasizes the natural characteristics of oil paint including smooth color transitions, subtle brushwork, and the luminous quality that makes oil paintings so captivating, while adapting to any subject matter.
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First century Palestine on the road toward Jericho. In a treacherous pass, a man lies on the roadside, beaten half to death. A passerby with a donkey is trying to help. The story of the good samaritan.
First century Palestine. Jesus walks away from the camera along a road that goes through town with several of His disciples. Jesus wears a plain robe like most ordinary men. The other people are dressed like peasants, farmers, and tradesmen. There are also women in the group, wearing plain, everyday clothing. Some children are playing near the roadside. Merchants are selling their goods in booths along the road. There are houses along the road also. The road goes upward toward the Temple in the far distance.
First century Palestine. Jesus walks away from the camera down a road that goes through town with several of His disciples. Jesus wears a plain robe like most ordinary men. The other people are dressed like peasants, farmers, and tradesmen. There are also women in the group, wearing plain, everyday clothing. Some children are playing near the roadside. The Sea of Galilee shines in the far distance.
First century Palestine. Mid-morning in a rural area. The sun is warm and the atmosphere is positive. Jesus and His disciples walk along a country road that goes to Bethany. There are some trees shading part of the road ahead, and cultivated fields on either side of the road. Jesus, wears ordinary clothing like most men, and He’s talking to His disciples as the walk along. The disciples are listening intently to Jesus, and His face is kind, but intense. A farm house sits off to one side, and the town is visible in the distance.
First century Palestine. Jesus walking away from the camera with 2 of His disciples. The Temple sits high on a hill in the distance with the road going up to it. Merchants and houses line the road. People are coming and going both ways.
Neon-Futurism Digital Art Style, Bioluminescent Sci-Fi Cosmic Setting, Grand Symmetrical Perspective. > The Rider & Bike: The lone motorcyclist in the sleek armored suit is centered on the highway, speeding away from the viewer on the hubless light-cycle. The cyan and orange glow of the bike is the sharpest point of light in the center of the frame. The Path: The glowing blue laser-grid highway is a straight, infinite line of light that leads directly into the center of the horizon. The Pisces Constellation: On the far left and far right sides of the highway, two colossal, ethereal celestial fish are positioned facing away from each other. They are rendered as majestic, crystalline structures made of violet stardust and golden circuitry. The Composition: The highway passes directly through the vast open space between the two figures. Their large, translucent tail fins fan out like glowing sails on either side of the road, creating a "V" shape that guides the eye toward the center of the cosmos. The Connection: A thin, radiant silver beam of light connects the two distant figures, arching high above the rider like a celestial wire. Atmosphere: A serene and vast cosmic void, filled with soft magenta nebulae and shimmering diamond stars, creating a sense of peace and finality at the end of the journey.
Neon-Futurism Digital Art Style, Bioluminescent Sci-Fi Cosmic Setting, Grand Symmetrical Perspective. > The Rider & Bike: The lone motorcyclist in the sleek armored suit is centered on the highway, speeding away from the viewer on the hubless light-cycle. The cyan and orange glow of the bike is the sharpest point of light in the center of the frame. The Path: The glowing blue laser-grid highway is a straight, infinite line of light that leads directly into the center of the horizon. The Pisces Constellation: On the far left and far right sides of the highway, two colossal, ethereal celestial fish are positioned facing away from each other. They are rendered as majestic, crystalline structures made of violet stardust and golden circuitry. The Composition: The highway passes directly through the vast open space between the two figures. Their large, translucent tail fins fan out like glowing sails on either side of the road, creating a "V" shape that guides the eye toward the center of the cosmos. The Connection: A thin, radiant silver beam of light connects the two distant figures, arching high above the rider like a celestial wire. Atmosphere: A serene and vast cosmic void, filled with soft magenta nebulae and shimmering diamond stars, creating a sense of peace and finality at the end of the journey.
Neon-Futurism Digital Art Style, Bioluminescent Sci-Fi Cosmic Setting, Extreme Low-Angle Perspective. A breathtaking shot looking up from the level of the highway, emphasizing the colossal height of the constellation above. The Rider & Bike Consistency: The lone motorcyclist—in the exact same sleek, armored suit with integrated helmet—is speeding forward on the same hubless "light-cycle" sportbike. The cyan and orange neon wheel rings leave a perfectly straight, vibrant light trail on the road, reflecting off the glossy surface. The Path (The Ecliptic): The glowing blue laser-grid highway continues into the distance, appearing as a thin line of light compared to the massive figure towering over it. The Sagittarius Presence: Looming directly over the highway is the colossal, majestic form of Sagittarius, a centaur made of shimmering stardust and golden data-lines. He is positioned so that the highway passes directly between his towering front legs. Above the rider, the centaur’s torso is twisted as he pulls back a massive longbow made of pure white light. The Action: An arrow of concentrated solar energy is notched in the bow, pointed toward a distant star cluster. The rider is captured in the moment of passing directly beneath the centaur's underbelly, surrounded by the glow of the "horse" body’s starlight. Atmosphere: The scene is dominated by golden and white light from the centaur, contrasting with the deep indigo of the cosmic void and the sharp cyan of the bike's neon.
Neon-Futurism Digital Art Style, Bioluminescent Sci-Fi Cosmic Setting, Extreme Low-Angle Perspective. A breathtaking shot looking up from the level of the highway, emphasizing the colossal height of the constellation above. The Rider & Bike Consistency: The lone motorcyclist—in the exact same sleek, armored suit with integrated helmet—is speeding forward on the same hubless "light-cycle" sportbike. The cyan and orange neon wheel rings leave a perfectly straight, vibrant light trail on the road, reflecting off the glossy surface. The Path (The Ecliptic): The glowing blue laser-grid highway continues into the distance, appearing as a thin line of light compared to the massive figure towering over it. The Sagittarius Presence: Looming directly over the highway is the colossal, majestic form of Sagittarius, a centaur made of shimmering stardust and golden data-lines. He is positioned so that the highway passes directly between his towering front legs. Above the rider, the centaur’s torso is twisted as he pulls back a massive longbow made of pure white light. The Action: An arrow of concentrated solar energy is notched in the bow, pointed toward a distant star cluster. The rider is captured in the moment of passing directly beneath the centaur's underbelly, surrounded by the glow of the "horse" body’s starlight. Atmosphere: The scene is dominated by golden and white light from the centaur, contrasting with the deep indigo of the cosmic void and the sharp cyan of the bike's neon.
Neon-Futurism Digital Art Style, Bioluminescent Sci-Fi Cosmic Setting, Monolithic Scale. A perspective shot from behind the rider, looking toward a massive obstacle course in deep space. The Rider & Bike Consistency: The lone motorcyclist—wearing the same sleek armored suit and helmet—is navigating the hubless "light-cycle" sportbike. The cyan and orange neon rings of the wheels reflect off the floating crystalline surfaces surrounding the road. The Path (The Labyrinth): The glowing blue laser-grid highway enters a colossal asteroid field where the rocks are perfectly geometric, hovering like floating obsidian city blocks. The path winds through these monoliths, creating a "Cosmic Labyrinth." The Taurus Presence: Standing at the center of this labyrinth, spanning across the highway, is the monumental form of the Celestial Bull. He is composed of dense, glowing emerald and earth-toned circuitry. His massive, forward-curving horns are made of solid, brilliant starlight and form a natural "archway" that the highway passes beneath. The Atmosphere: The scene feels grounded and powerful. The deep greens and golds of the Taurus figure contrast with the dark, heavy shadows of the geometric asteroids. Lighting: The "starlight horns" cast a warm, heavy glow downward onto the rider, illuminating the dust of crushed nebulae kicked up by the bike’s tires.
Neon-Futurism Digital Art Style, Bioluminescent Sci-Fi Cosmic Setting, Monolithic Scale. A perspective shot from behind the rider, looking toward a massive obstacle course in deep space. The Rider & Bike Consistency: The lone motorcyclist—wearing the same sleek armored suit and helmet—is navigating the hubless "light-cycle" sportbike. The cyan and orange neon rings of the wheels reflect off the floating crystalline surfaces surrounding the road. The Path (The Labyrinth): The glowing blue laser-grid highway enters a colossal asteroid field where the rocks are perfectly geometric, hovering like floating obsidian city blocks. The path winds through these monoliths, creating a "Cosmic Labyrinth." The Taurus Presence: Standing at the center of this labyrinth, spanning across the highway, is the monumental form of the Celestial Bull. He is composed of dense, glowing emerald and earth-toned circuitry. His massive, forward-curving horns are made of solid, brilliant starlight and form a natural "archway" that the highway passes beneath. The Atmosphere: The scene feels grounded and powerful. The deep greens and golds of the Taurus figure contrast with the dark, heavy shadows of the geometric asteroids. Lighting: The "starlight horns" cast a warm, heavy glow downward onto the rider, illuminating the dust of crushed nebulae kicked up by the bike’s tires.
First century Palestine. Jesus sits on a rock on a hillside teaching a large group of His disciples. The Sermon on the Mount. Jesus wears a plain robe like most ordinary men. Jesus' face is kind, but intense, as He teaches. The other people are mostly peasants, farmers, and tradesmen. There are also women present, wearing plain, everyday clothing. Some couples have also brought their children. The Sea of Galilee shines in the far distance.
First century Palestine. Jesus sits on a rock on a hillside teaching a large group of His disciples. The Sermon on the Mount. Jesus wears a plain robe like most ordinary men. Jesus' face is kind, but intense, as He teaches. The other people are mostly peasants, farmers, and tradesmen. There are also women present, wearing plain, everyday clothing. Some couples have also brought their children. The Sea of Galilee shines in the far distance.
First century Palestine. An evening scene on a rooftop in Bethlehem. The summer air is warm and the evening light is soft. Jesus, wearing ordinary clothing like most men wear, sits at a table across from a Pharisee named Nicodemus who has come to speak to the Master privately. One or two servers stand nearby. There is a clay pitcher and 2 drinking cups on the table. The town is visible in the background.
"Create a nostalgic and inviting image of a Waffle House restaurant from the 1960s or early 1970s. The focus should be on its distinct mid-century roadside architecture with a prominent, brightly lit "Waffle House" sign featuring its classic yellow and black logo. Show a few vintage cars from the era (e.g., a Ford Mustang, Chevrolet Chevelle, or a classic pickup truck) parked outside. The scene should be set at either dawn or dusk, with warm, inviting light spilling from the restaurant's windows, suggesting a cozy haven for weary travelers. Include subtle details like a classic street lamp or a glimpse of a highway in the background to emphasize its roadside location. The overall aesthetic should evoke a sense of Americana, comfort, and the timeless appeal of a familiar stop on a long journey."
"Create a nostalgic and inviting image of a Waffle House restaurant from the 1960s or early 1970s. The focus should be on its distinct mid-century roadside architecture with a prominent, brightly lit "Waffle House" sign featuring its classic yellow and black logo. Show a few vintage cars from the era (e.g., a Ford Mustang, Chevrolet Chevelle, or a classic pickup truck) parked outside. The scene should be set at either dawn or dusk, with warm, inviting light spilling from the restaurant's windows, suggesting a cozy haven for weary travelers. Include subtle details like a classic street lamp or a glimpse of a highway in the background to emphasize its roadside location. The overall aesthetic should evoke a sense of Americana, comfort, and the timeless appeal of a familiar stop on a long journey."
First century Palestine. Jesus sits on a rock on a hillside teaching a large group of His disciples. The Sermon on the Mount. Jesus wears a plain robe like most ordinary men. Jesus' face is kind, but intense, as He teaches. The other people are mostly peasants, farmers, and tradesmen. There are also women present, wearing plain, everyday clothing. Some couples have also brought their children. The Sea of Galilee shines in the far distance.
First century Jerusalem at the "gate beautiful" to the temple grounds. Peter and John were going up to the temple at the hour of prayer, the ninth hour. And a man lame from birth was being carried, whom they laid daily at the gate of the temple that is called the Beautiful Gate to ask alms of those entering the temple. Seeing Peter and John about to go into the temple, he asked to receive alms. And Peter directed his gaze at him, as did John, and said, “Look at us.” And he fixed his attention on them, expecting to receive something from them. But Peter said, “I have no silver and gold, but what I do have I give to you. In the name of Jesus Christ of Nazareth, rise up and walk!” And he took him by the right hand and raised him up, and immediately his feet and ankles were made strong.
In Old Testament times a group of 12 - 15 Hebrew men and women on pilgrimage ascend a steep road toward Jerusalem and the Temple, headed for the feast of the Passover. They each carry their own bag, sachel or bedroll. Anticipation fills the air as the set out on their journey.
In Old Testament times a group of 12 - 15 Hebrew men and women on pilgrimage ascend a steep road toward Jerusalem and the Temple, headed for the feast of the Passover. They each carry their own bag, sachel or bedroll. Anticipation fills the air as the set out on their journey.
Neon-Futurism Digital Art Style, Bioluminescent Sci-Fi Cosmic Setting, Extreme Focal Point. A high-speed "tunnel-vision" perspective where everything converges on a single, brilliant point of light. The Rider & Bike Consistency: The lone motorcyclist—in the signature sleek, armored suit and helmet—is leaning dangerously low, pinned to the chassis of the hubless "light-cycle." The bike's cyan and orange neon rings are vibrating with energy as it accelerates toward the center of the frame. The Path (The Solar Path): The glowing blue laser-grid highway has turned into a golden-white bridge of solid light. It leads directly into the chest of a colossal celestial entity. The Leo Presence: Looming ahead is the magnificent Celestial Lion, a titan made of burning solar flares and rhythmic orange circuitry. He stands in a regal, powerful stance. At the center of his chest lies Regulus, a massive, pulsating white-blue star that acts as a gateway. The Action: The highway doesn't stop; it goes straight into the center of Regulus. The rider is seconds away from entering the star's core. Solar prominences and loops of liquid fire arch over the road like a stadium of light. Atmosphere: Intense heat and majesty. The colors are dominated by deep ambers, fiery oranges, and the blinding white-blue light of the star Regulus. Lighting: The rider is almost a silhouette against the overwhelming brightness of the Lion's heart. Intense "lens flare" and shimmering heat-haze effects blur the edges of the digital grid.
Neon-Futurism Digital Art Style, Bioluminescent Sci-Fi Cosmic Setting, Extreme Focal Point. A high-speed "tunnel-vision" perspective where everything converges on a single, brilliant point of light. The Rider & Bike Consistency: The lone motorcyclist—in the signature sleek, armored suit and helmet—is leaning dangerously low, pinned to the chassis of the hubless "light-cycle." The bike's cyan and orange neon rings are vibrating with energy as it accelerates toward the center of the frame. The Path (The Solar Path): The glowing blue laser-grid highway has turned into a golden-white bridge of solid light. It leads directly into the chest of a colossal celestial entity. The Leo Presence: Looming ahead is the magnificent Celestial Lion, a titan made of burning solar flares and rhythmic orange circuitry. He stands in a regal, powerful stance. At the center of his chest lies Regulus, a massive, pulsating white-blue star that acts as a gateway. The Action: The highway doesn't stop; it goes straight into the center of Regulus. The rider is seconds away from entering the star's core. Solar prominences and loops of liquid fire arch over the road like a stadium of light. Atmosphere: Intense heat and majesty. The colors are dominated by deep ambers, fiery oranges, and the blinding white-blue light of the star Regulus. Lighting: The rider is almost a silhouette against the overwhelming brightness of the Lion's heart. Intense "lens flare" and shimmering heat-haze effects blur the edges of the digital grid.
The first approached the elephant and happening to fall against his broad and study side at once began to bawl, God bless me but the elephant is very like a wall. Show a blind man falling against the side of the elephant.
The first approached the elephant and happening to fall against his broad and study side at once began to bawl, God bless me but the elephant is very like a wall. Show a blind man falling against the side of the elephant with tusks.
Volume 1 – Chapter 1: “Running Away” Story Points: Ji Hun is bored and unhappy with his life in the band “Forever.” Inner thoughts reveal his frustration and desire to escape. He decides to run away; changes his appearance with a ginger curly wig and glasses to hide his identity. Ji Hun sneaks out, but security guards notice him and start chasing him. While running, he accidentally bumps into Min Joon, a girl with long curly black hair, wearing a hoodie and baggy jeans. They fall on the ground. Min Joon helps him up and insists on taking him to her home to relax. She offers him tea and biscuits; they start talking. Ji Hun lies and says his name is “Jin” and that he is an accountant. He notices posters of his band “Forever” in her room and realizes she is a fan. Min Joon praises Ji Hun’s voice, making him shy. Ji Hun talks about never enjoying life; Min Joon promises to teach him how to enjoy life. Ji Hun hesitates, worried about being recognized, but she reassures him. He agrees to go with her. Min Joon prepares to take him outside, setting up the transition to Chapter 2 (car ride and amusement park). Page/Panel Flow Suggestions: Pages 1–3: Ji Hun’s frustration, morning in the band dorm, decision to escape. Pages 4–5: Ji Hun changing disguise. Pages 6–8: Running and being chased by security guards. Pages 9–12: Collision with Min Joon, first meeting. Pages 13–16: Min Joon taking him home, tea and biscuits scene. Pages 17–20: Conversation about Ji Hun’s unhappiness, Min Joon promising to show him joy.
Ancient Jerusalem scene during the feast of passover. Pilgrims have gathered inside the gate, preparing for departure back home. Looking from inside the city toward the road that goes back to home, work, and ordinary life.
In Old Testament times a group of 12 - 15 Hebrew men and women on pilgrimage ascend a steep road toward Jerusalem and the Temple, headed for the feast of the Passover. They each carry their own bag, sachel or bedroll. Anticipation fills the air as the set out on their journey.
Thou I walk through the valley shadow of death I shall fear no evil
At the bustling Kuala Lumpur airport, Wing-Sun and his Mother say farewell to his father before he leaves for a six‐week business trip to London. We see Wing Sun and his mother from the back, as Father stands on the escalator going up to his departure gate, and turns toward us to wave goodbye. Many other passengers and children are standing around. The airport is modern and well lit.
portrait of two people together
Create an image of the Motel Safari in Tucumcari, showcasing its distinctive Doo Wop or Googie architectural style. The design should feature counter-stacked brickwork with oozing mortar, cinder block walls with unique openings, and metal cylinders with perforated holes that glow softly at night. The sign should incorporate playful geometric shapes, with Clyde the Camel prominently perched on top, illuminated against a vibrant sunset sky. Include a retro Route 66 vibe with neon accents and a welcoming "VACANCY" sign.
He (God) setteth an end to darkness, and searcheth out all perfection: the stones of darkness, and the shadow of death. From Job 28:3 using a Spiritual figure as a dove to represent the one searching.
He (God) setteth an end to darkness, and searcheth out all perfection: the stones of darkness, and the shadow of death. From Job 28:3 using a Spiritual figure as a dove to represent the one searching. There are many glowing stones in the darkness and a door representing the shadows of death.
He (God) setteth an end to darkness, and searcheth out all perfection: the stones of darkness, and the shadow of death. From Job 28:3 using a Spiritual figure as a dove to represent the one searching. There are many glowing stones in the darkness and a door representing the shadows of death.
a tree in nature
A triptych set of three drawings, continuous scene flowing left to right, left panel shows a palomino horse in the foreground on the far left side of the scene walking down a grassy slope toward a reflective teal-blue river in the Scottish Highlands with rocks and ferns around its hooves. Center panel continues the same landscape as the horse now appears in the midground at the center of the scene standing at the river’s edge drinking from the reflective water beside ancient moss-covered stone ruins. Right panel continues the scene as the horse appears far away in the distance on the far right side of the scene following the riverbank toward steep mist-covered mountains with dramatic sunlight breaking through the clouds, unified natural palette of greens golds and reflective teal blues, consistent cinematic lighting, shared horizon line, smoothf uninterrupted left-to-right visual flow with no panel separation.
Epic Fantasy Illustration Style, Gritty Cinematic Concept Art, a dynamic, wide-angle action shot of a fierce battle amidst overgrown ancient ruins at twilight. A lone, hardened warrior clad in practical leather and partial plate armor is in a dynamic combat stance, dodging a massive vine strike. They wield a glowing, enchanted battleaxe that burns with orange fire, striking at the creature. The opponent is a colossal, serpentine Botanical Dragon construct made entirely of writhing, thick poison ivy vines, hairy root systems, and dense clusters of glossy, three-pointed leaves. The "dragon" rears up, its maw a tangled mass of thorns and dripping toxic sap, exhaling clouds of yellowish-green poisonous spores. Its eyes glow with a malevolent verdant light. The ground is treacherous swamp and broken stone. The lighting is dramatic and moody, highlighting the oily sheen of the poisonous leaves and the fire of the warrior's weapon. High detail on the plant textures.
a tree in nature
Create an image of the Motel Safari in Tucumcari, showcasing its distinctive Doo Wop or Googie architectural style. The design should feature counter-stacked brickwork with oozing mortar, cinder block walls with unique openings, and metal cylinders with perforated holes that glow softly at night. The sign should incorporate playful geometric shapes, with Clyde the Camel prominently perched on top, illuminated against a vibrant sunset sky. Include a retro Route 66 vibe with neon accents and a welcoming "VACANCY" sign.
Cubism Art Style Style Transfer Example
Cubism Art Style Style Transfer Example
Seamless triptych artwork with no dividing lines or borders, continuous scene flowing left to right, left panel shows a palomino horse in the foreground on the far left side of the scene walking down a grassy slope toward a reflective teal-blue river in the Scottish Highlands with rocks and ferns around its hooves, center panel continues the same landscape as the horse now appears in the midground at the center of the scene standing at the river’s edge drinking from the reflective water beside ancient moss-covered stone ruins, right panel continues the scene as the horse appears far away in the distance on the far right side of the scene following the riverbank toward steep mist-covered mountains with dramatic sunlight breaking through the clouds, unified natural palette of greens golds and reflective teal blues, consistent cinematic lighting, shared horizon line, smooth uninterrupted left-to-right visual flow with no panel separation.