Kepler's Supernova and King James Bible. Do not use any pictures of a globe in the designs.
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oliverspavilion

Kepler's Supernova and King James Bible. Do not use any pictures of a globe in the designs.

Style Used
Pre-Raphaelite Art Style preview
Pre-Raphaelite Art Styleby @stylecreator
Medieval romantic revival featuring minute detail, jewel-like colors, and literary subjects with moral messages and natural symbolism.
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Kepler's Supernova and King James Bible. Do not use any pictures of a globe in the designs.
Kepler's Supernova and King James Bible
Not using maps or globes as symbols please create Kepler's Supernova and the Bible, "KJV" is the only word used
Do not use words to create an image of Three Pillars blog which is a word count for each chapter in the Bible
Three Pillars blog word count for each chapter in the Bible (do not use words)
“And as they were eating, Jesus took bread, and blessed it, and brake it, and gave it to the disciples, and said, Take, eat; this is my body. And he took the cup, and gave thanks, and gave it to them, saying, Drink ye all of it; For this is my blood of the new testament, which is shed for many for the remission of sins. But I say unto you, I will not drink henceforth of this fruit of the vine, until that day when I drink it new with you in my Father's kingdom.” (Matthew 26:26-29, KJV) Use Matzo style bread
Southeast Asia. Modern day. The damaged and the broken ones; all rooted in the past, live life the way it always was, from their first day to their last. Motes of dust in beams of light, in the darkness of this day, we tip the hat and give a nod, for the truth we can’t convey. Everything is real, but nothing matters, anyway. Where life is only what must be, from the cradle to the grave. Everyone does what they can: Nothing less, but sure no more. Tip the hat and give a nod to the ones who’ve gone before. We tip our hats and give the nod to the world we’ve all ignored
The first approached the elephant and happening to fall against his broad and study side at once began to bawl, God bless me but the elephant is very like a wall. Show a blind man falling against the side of the elephant with tusks.
The first approached the elephant and happening to fall against his broad and study side at once began to bawl, God bless me but the elephant is very like a wall. Show a blind man falling against the side of the elephant.
A young woman with timeless 1980s glamour, Cyndi Lauper-like look, sits at a small outdoor café table on a cliff overlooking a picturesque seaside town. She gazes over the town below as the sun rises, casting radiant hues of pink, orange, and teal across the rooftops and narrow streets. She has luminous pastel makeup, bright expressive eyes, and a stylishly teased hairstyle with vivid color streaks. Her outfit is eclectic and bold: layered accessories, a patterned jacket with neon accents, fingerless gloves, and whimsical jewelry sparkling in the morning light. On the table beside her rests a delicate porcelain coffee cup of fine Italian china, painted with intricate cobalt blue, gold, and crimson designs. From the cup, steam rises, transforming into miniature planets, glowing constellations, and swirling galaxies that drift upward like vapor into the sky above. The atmosphere is cinematic, luminous, filled with radiant tones, crisp clarity, and classic beauty, with no dark overlay.
“Therefore will not we fear, though the earth be removed, and though the mountains be carried into the midst of the sea; Though the waters thereof roar and be troubled, though the mountains shake with the swelling thereof. Selah. There is a river, the streams whereof shall make glad the city of God, the holy place of the tabernacles of the most High. God is in the midst of her; she shall not be moved: God shall help her, and that right early.” (Psalms 46:2-5, KJV) Do not use any Temple or religious building. Create only the landscape
A young woman with timeless 1980s glamour, Cyndi Lauper-like look, sits at a small outdoor café table on a cliff overlooking a picturesque seaside town. She gazes over the town below as the sun rises, casting radiant hues of pink, orange, and teal across the rooftops and narrow streets. She has luminous pastel makeup, bright expressive eyes, and a stylishly teased hairstyle with vivid color streaks. Her outfit is eclectic and bold: layered accessories, a patterned jacket with neon accents, fingerless gloves, and whimsical jewelry sparkling in the morning light. On the table beside her rests a delicate porcelain coffee cup of fine Italian china, painted with intricate cobalt blue, gold, and crimson designs. From the cup, steam rises, transforming into miniature planets, glowing constellations, and swirling galaxies that drift upward like vapor into the sky above. The atmosphere is cinematic, luminous, filled with radiant tones, crisp clarity, and classic beauty, with no dark overlay.
Golden Age Fantasy Illustration Style, Painterly Realism, Crystalline Underwater Photography Aesthetic. A stunning view looking straight down through impossibly clear, glassy ocean water, as if peering over the edge of a ship. Below, on the white sand seabed, are the seaweed-covered ruins of a sunken, ancient civilization. The Merpeople: A royal hunting party of Narnian Merpeople is riding on seas horses through the submerged streets. They are not gentle, fairy-tale creatures, but possess a wild, fierce majesty. They ride large, powerful, scaled hippocamps (mythical sea-horses). Key Figures & Details: The Mer-King, with flowing white hair and a stern expression, wears armor crafted from iridescent pearl and abalone shells, brandishing a long spear tipped with gold. The merpeople sit side saddle with their tails on one side of their sea horse. His powerful tail is deep amethyst. A fierce Mer-Queen rides beside him, her colors shimmering emerald and gold. Smaller merfolk follow, shaking spears. Lighting & Atmosphere: Bright shafts of sunlight pierce the deep water, illuminating the underwater dust motes and making the scales of the merfolk and their mounts sparkle intensely. The mood is silent, ancient, and awe-inspiring.
“And as they were eating, Jesus took bread, and blessed it, and brake it, and gave it to the disciples, and said, Take, eat; this is my body. And he took the cup, and gave thanks, and gave it to them, saying, Drink ye all of it; For this is my blood of the new testament, which is shed for many for the remission of sins. But I say unto you, I will not drink henceforth of this fruit of the vine, until that day when I drink it new with you in my Father's kingdom.” (Matthew 26:26-29, KJV)
Golden Age Fantasy Illustration Style, Painterly Realism, Crystalline Underwater Photography Aesthetic. A stunning view looking straight down through impossibly clear, glassy ocean water, as if peering over the edge of a ship. Below, on the white sand seabed, are the seaweed-covered ruins of a sunken, ancient civilization. The Merpeople: A royal hunting party of Narnian Mermen and Mermaids are riding through the submerged streets on the backs of sea horses with their own tails astride the seahorse sitting side saddle. They are not gentle, fairy-tale creatures, but possess a wild, fierce majesty. They ride large, powerful, scaled hippocamps (mythical sea-horses). Key Figures & Details: The Mer-King, with flowing white hair and a stern expression, wears armor crafted from iridescent pearl and abalone shells, brandishing a long spear tipped with gold. His powerful tail is deep amethyst. A fierce Mer-Queen rides beside him, her colors shimmering emerald and gold. Smaller merfolk follow, shaking spears. Lighting & Atmosphere: Bright shafts of sunlight pierce the deep water, illuminating the underwater dust motes and making the scales of the merfolk and their mounts sparkle intensely. The mood is silent, ancient, and awe-inspiring.
Golden Age Fantasy Illustration Style, Painterly Realism, Crystalline Underwater Photography Aesthetic. A stunning view looking straight down through impossibly clear, glassy ocean water, as if peering over the edge of a ship. Below, on the white sand seabed, are the seaweed-covered ruins of a sunken, ancient civilization. The Merpeople: A royal hunting party of Narnian Merpeople is riding through the submerged streets. They are not gentle, fairy-tale creatures, but possess a wild, fierce majesty. They ride large, powerful, scaled hippocamps (mythical sea-horses). Key Figures & Details: The Mer-King, with flowing white hair and a stern expression, wears armor crafted from iridescent pearl and abalone shells, brandishing a long spear tipped with gold. His powerful tail is deep amethyst. A fierce Mer-Queen rides beside him, her colors shimmering emerald and gold. Smaller merfolk follow, shaking spears. Lighting & Atmosphere: Bright shafts of sunlight pierce the deep water, illuminating the underwater dust motes and making the scales of the merfolk and their mounts sparkle intensely. The mood is silent, ancient, and awe-inspiring.
a tree in nature
Golden Age Fantasy Illustration Style, Painterly Realism, Crystalline Underwater Photography Aesthetic. A stunning view looking straight down through impossibly clear, glassy ocean water, as if peering over the edge of a ship. Below, on the white sand seabed, are the seaweed-covered ruins of a sunken, ancient civilization. The Merpeople: A royal hunting party of Narnian Merpeople is riding on seas horses through the submerged streets. They are not gentle, fairy-tale creatures, but possess a wild, fierce majesty. They ride large, powerful, scaled hippocamps (mythical sea-horses). Key Figures & Details: The Mer-King, with flowing white hair and a stern expression, wears armor crafted from iridescent pearl and abalone shells, brandishing a long spear tipped with gold. His powerful tail is deep amethyst. A fierce Mer-Queen rides beside him, her colors shimmering emerald and gold. Smaller merfolk follow, shaking spears. Lighting & Atmosphere: Bright shafts of sunlight pierce the deep water, illuminating the underwater dust motes and making the scales of the merfolk and their mounts sparkle intensely. The mood is silent, ancient, and awe-inspiring.
A sharp and satirical political cartoon in a bold, distinctive political cartoon style. The scene depicts protestors alongside a city street, but instead of typical protestors, the crowd is made up entirely of elderly folks with a Pennywise style of exaggerated clown makeup, wearing regular clothing, but their expressions are not menacing, rather they are comically defiant, fitting the protest theme. They hold signs which say "No Kings"
animal standing in natural pose
still life arrangement of fruits and flowers
bicyle resting against a wall
serene landscape with mountains and water
urban street with city activity
portrait of a person with expressive eyes
Do not use words to create the idea: “Keep me as the apple of the eye, hide me under the shadow of thy wings,” (Psalms 17:8, KJV) “As for me, I will behold thy face in righteousness: I shall be satisfied, when I awake, with thy likeness.” (Psalms 17:15, KJV)
"A historically accurate depiction of a Ghost Dance, focusing on the late 19th-century context, specifically around 1890-1891. The scene shows Lakota (Sioux) or Northern Paiute people (specify one or include elements of both, but avoid anachronisms) participating in the ceremony. Setting: A vast, open prairie or high desert landscape, under an expansive sky. The time of day could be dusk or night, with a prominent moon or stars, or a bright, clear day. Avoid overtly spiritual or ethereal elements like floating spirits unless explicitly requested for a later, more symbolic iteration. The focus should be on the earthly ceremony. Participants: A circle of men, women, and children, hand-in-hand, moving in a slow, rhythmic shuffle or circular motion. Their faces show a mixture of devotion, hope, and determination. Some may have expressions of trance or deep concentration. Attire: Ghost Dance Shirts/Dresses: Emphasize the unique Ghost Dance shirts and dresses, which were typically made of muslin or canvas. These garments should feature painted designs such as stars, crescents, birds (especially eagles or crows), buffalo, human figures, or crosses. The designs should appear hand-painted, not mass-produced. Hair and Adornments: Participants should have braided hair or wear it long. Some may wear feathers (e.g., eagle or hawk feathers) in their hair. Minimal traditional adornments, as the focus was often on the Ghost Dance shirt itself. Avoid overly elaborate or Hollywood-esque depictions of war bonnets unless relevant to a specific individual and context. Footwear: Moccasins or bare feet. Action/Atmosphere: The dancers are moving in a counter-clockwise circle, with a central figure or a small group often leading. The overall mood is one of earnest prayer and communal spiritual effort. The dance should convey a sense of hope for renewal and the return of the old ways, rather than aggression or despair. There might be a central pole or small fire as a focal point, around which the dance takes place. Avoid any signs of direct conflict or violence; the Ghost Dance itself was a non-violent spiritual movement. Specific Considerations for Accuracy: Wovoka's Influence: The teachings of Wovoka (the Northern Paiute prophet) emphasized peace, hard work, and the return of the buffalo and deceased ancestors. The scene should subtly reflect this hopeful, redemptive spirit. Regional Variations: If focusing on Lakota, consider their specific interpretations, which sometimes included more imagery related to their warrior traditions on the shirts, but still within the peaceful framework of the dance. Respectful Portrayal: Ensure the depiction is respectful and avoids any stereotypical or caricatured representations of Indigenous people. Focus on their human dignity and spiritual sincerity.
Strangers becoming friends
Sunset
Cinematic Still Life Photography, Atmospheric Chiaroscuro Lighting, Macro Details. A high-stakes chess game mid-match, set upon a unique, well-worn board inside the dimly lit quarters of a pirate captain. The Board: The chessboard isn't separate; the squares are carved directly into the surface of a thick, heavy oak table, stained with rum rings and knife marks. The light squares are inlaid, scratched mother-of-pearl, and the dark squares are burned wood. The Pieces in Play: The unique pirate-themed pieces (from the previous design) are scattered across the board. One side (The 'White' pieces): Carved from aged, yellowed whale bone. A "King Captain" piece is cornered behind a line of "Pawn Deckhands." The other side (The 'Black' pieces): Cast from heavy, tarnished blackened iron. An iron "Knight Boarding Party" piece (on a rope swing) is aggressively positioned near the center. The Atmosphere: The scene is lit dramatically by a single, smoky oil lantern hanging overhead, casting long shadows. Scattered around the board on the table are a few real gold doubloons mixed with captured pieces, a half-empty bottle of grog, and a rolled-up parchment chart. The background is dark wood paneling and a glimpse of a flintlock pistol. The focus is razor-sharp on the textures of the carved bone and corroded iron pieces.
Do not use words to create the idea: “Keep me as the apple of the eye, hide me under the shadow of thy wings,” (Psalms 17:8, KJV) “As for me, I will behold thy face in righteousness: I shall be satisfied, when I awake, with thy likeness.” (Psalms 17:15, KJV)
Golden Age Fantasy Illustration Style, Painterly Realism, Crystalline Underwater Photography Aesthetic. A stunning view looking straight down through impossibly clear, glassy ocean water, as if peering over the edge of a ship. Below, on the white sand seabed, are the seaweed-covered ruins of a sunken, ancient civilization. The Merpeople: A royal hunting party of Narnian Mermen and Mermaids are riding through the submerged streets. They are not gentle, fairy-tale creatures, but possess a wild, fierce majesty. They ride side saddle tails aside their large, powerful, scaled hippocamps (mythical sea-horses). Key Figures & Details: The Mer-King, with flowing white hair and a stern expression, wears armor crafted from iridescent pearl and abalone shells, brandishing a long spear tipped with gold. His powerful tail is deep amethyst. A fierce Mer-Queen rides beside him, her colors shimmering emerald and gold. Smaller merfolk follow, shaking spears. Lighting & Atmosphere: Bright shafts of sunlight pierce the deep water, illuminating the underwater dust motes and making the scales of the merfolk and their mounts sparkle intensely. The mood is silent, ancient, and awe-inspiring.
Golden Age Fantasy Illustration Style, Painterly Realism, Crystalline Underwater Photography Aesthetic. A stunning view looking straight down through impossibly clear, glassy ocean water, as if peering over the edge of a ship. Below, on the white sand seabed, are the seaweed-covered ruins of a sunken, ancient civilization. The Merpeople: A royal hunting party of Narnian Mermen and Mermaids are riding through the submerged streets. They are not gentle, fairy-tale creatures, but possess a wild, fierce majesty. They ride side saddle tails aside their large, powerful, scaled hippocamps (mythical sea-horses). Key Figures & Details: The Mer-King, with flowing white hair and a stern expression, wears armor crafted from iridescent pearl and abalone shells, brandishing a long spear tipped with gold. His powerful tail is deep amethyst. A fierce Mer-Queen rides beside him, her colors shimmering emerald and gold. Smaller merfolk follow, shaking spears. Lighting & Atmosphere: Bright shafts of sunlight pierce the deep water, illuminating the underwater dust motes and making the scales of the merfolk and their mounts sparkle intensely. The mood is silent, ancient, and awe-inspiring.
a tree in nature
house with front view
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
Golden Age Fantasy Illustration Style, Painterly Realism, Crystalline Underwater Photography Aesthetic. A stunning view looking straight down through impossibly clear, glassy ocean water, as if peering over the edge of a ship. Below, on the white sand seabed, are the seaweed-covered ruins of a sunken, ancient civilization. The Merpeople: A royal hunting party of Narnian Mermen and Mermaids are riding through the submerged streets. They are not gentle, fairy-tale creatures, but possess a wild, fierce majesty. They ride side saddle tails aside their large, powerful, scaled hippocamps (mythical sea-horses). Key Figures & Details: The Mer-King, with flowing white hair and a stern expression, wears armor crafted from iridescent pearl and abalone shells, brandishing a long spear tipped with gold. His powerful tail is deep amethyst. A fierce Mer-Queen rides beside him, her colors shimmering emerald and gold. Smaller merfolk follow, shaking spears. Lighting & Atmosphere: Bright shafts of sunlight pierce the deep water, illuminating the underwater dust motes and making the scales of the merfolk and their mounts sparkle intensely. The mood is silent, ancient, and awe-inspiring.
portrait of two people together
Golden Age Fantasy Illustration Style, Painterly Realism, Crystalline Underwater Photography Aesthetic. A stunning view looking straight down through impossibly clear, glassy ocean water, as if peering over the edge of a ship. Below, on the white sand seabed, are the seaweed-covered ruins of a sunken, ancient civilization. The Merpeople: A royal hunting party of Narnian Mermen and Mermaids are riding through the submerged streets. They are not gentle, fairy-tale creatures, but possess a wild, fierce majesty. They ride side saddle tails aside their large, powerful, scaled hippocamps (mythical sea-horses). Key Figures & Details: The Mer-King, with flowing white hair and a stern expression, wears armor crafted from iridescent pearl and abalone shells, brandishing a long spear tipped with gold. His powerful tail is deep amethyst. A fierce Mer-Queen rides beside him, her colors shimmering emerald and gold. Smaller merfolk follow, shaking spears. Lighting & Atmosphere: Bright shafts of sunlight pierce the deep water, illuminating the underwater dust motes and making the scales of the merfolk and their mounts sparkle intensely. The mood is silent, ancient, and awe-inspiring.
Golden Age Fantasy Illustration Style, Painterly Realism, Crystalline Underwater Photography Aesthetic. A stunning view looking straight down through impossibly clear, glassy ocean water, as if peering over the edge of a ship. Below, on the white sand seabed, are the seaweed-covered ruins of a sunken, ancient civilization. The Merpeople: A royal hunting party of Narnian Mermen and Mermaids are riding through the submerged streets. They are not gentle, fairy-tale creatures, but possess a wild, fierce majesty. They ride side saddle tails aside their large, powerful, scaled hippocamps (mythical sea-horses). Key Figures & Details: The Mer-King, with flowing white hair and a stern expression, wears armor crafted from iridescent pearl and abalone shells, brandishing a long spear tipped with gold. His powerful tail is deep amethyst. A fierce Mer-Queen rides beside him, her colors shimmering emerald and gold. Smaller merfolk follow, shaking spears. Lighting & Atmosphere: Bright shafts of sunlight pierce the deep water, illuminating the underwater dust motes and making the scales of the merfolk and their mounts sparkle intensely. The mood is silent, ancient, and awe-inspiring.
still life with everyday objects
a tree in nature