Now, those captains must learn what the river will do
when it makes that great turn out of sight.
How it dashes them up on the rocks of the shore
How it spins to the left and the right.
It beats them and breaks them and crushes their pride
Leaves them dizzy and sick and all jumbled inside
‘til they’ve all but forgotten that glorious ride
lying flat on their deck in the sun.
There they lie, drying out in the sun.

As you round the point where the river was bent
and survey the great wideness ahead,
you can see all those captains alone on their decks,
beat and broken and very near dead.
Then the current takes hold and there’s naught you can do
as it drags you down into its maw.
Headed straight for those rocks, you make ready to crash
but at last, you rise up, roll and yaw.

Going back and away, then forward again,
fearing each time, the rocks will prevail!
You’re trapped in a cycling, circling tide,
in an eddy withstanding a gale.
But each time you circle that great whirling tide
and you’ve not hit the rocks or been thrown to the side
and you’re kept from the falls, cascading and wide,
for the eddy’s small mercy give praise.
Give the merciful currents your praise!

Now, those captains must learn what the river will do when it makes that great turn out of sight. How it dashes them up on the rocks of the shore How it spins to the left and the right. It beats them and breaks them and crushes their pride Leaves them dizzy and sick and all jumbled inside ‘til they’ve all but forgotten that glorious ride lying flat on their deck in the sun. There they lie, drying out in the sun. As you round the point where the river was bent and survey the great wideness ahead, you can see all those captains alone on their decks, beat and broken and very near dead. Then the current takes hold and there’s naught you can do as it drags you down into its maw. Headed straight for those rocks, you make ready to crash but at last, you rise up, roll and yaw. Going back and away, then forward again, fearing each time, the rocks will prevail! You’re trapped in a cycling, circling tide, in an eddy withstanding a gale. But each time you circle that great whirling tide and you’ve not hit the rocks or been thrown to the side and you’re kept from the falls, cascading and wide, for the eddy’s small mercy give praise. Give the merciful currents your praise!

Style Used
American landscape tradition featuring dramatic wilderness, sublime nature, and detailed realism celebrating untamed American scenery.

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Now, those captains must learn what the river will do
when it makes that great turn out of sight.
How it dashes them up on the rocks of the shore
How it spins to the left and the right.
It beats them and breaks them and crushes their pride
Leaves them dizzy and sick and all jumbled inside
‘til they’ve all but forgotten that glorious ride
lying flat on their deck in the sun.
There they lie, drying out in the sun.

As you round the point where the river was bent
and survey the great wideness ahead,
you can see all those captains alone on their decks,
beat and broken and very near dead.
Then the current takes hold and there’s naught you can do
as it drags you down into its maw.
Headed straight for those rocks, you make ready to crash
but at last, you rise up, roll and yaw.

Going back and away, then forward again,
fearing each time, the rocks will prevail!
You’re trapped in a cycling, circling tide,
in an eddy withstanding a gale.
But each time you circle that great whirling tide
and you’ve not hit the rocks or been thrown to the side
and you’re kept from the falls, cascading and wide,
for the eddy’s small mercy give praise.
Give the merciful currents your praise!
Now, those captains must learn what the river will do
when it makes that great turn out of sight.
How it dashes them up on the rocks of the shore
How it spins to the left and the right.
It beats them and breaks them and crushes their pride
Leaves them dizzy and sick and all jumbled inside
‘til they’ve all but forgotten that glorious ride
lying flat on their deck in the sun.
There they lie, drying out in the sun.

As you round the point where the river was bent
and survey the great wideness ahead,
you can see all those captains alone on their decks,
beat and broken and very near dead.
Then the current takes hold and there’s naught you can do
as it drags you down into its maw.
Headed straight for those rocks, you make ready to crash
but at last, you rise up, roll and yaw.

Going back and away, then forward again,
fearing each time, the rocks will prevail!
You’re trapped in a cycling, circling tide,
in an eddy withstanding a gale.
But each time you circle that great whirling tide
and you’ve not hit the rocks or been thrown to the side
and you’re kept from the falls, cascading and wide,
for the eddy’s small mercy give praise.
Give the merciful currents your praise!
Out where the river runs wild and free
and only the brave dare row;
where the rapids are deep, and the challenge is fresh
and it takes them where it means to go.
With breakneck speed, grinning into the wind,
standing straight on the bow of their craft,
just a glimpse now and then of those captains you’ll catch
flying by, near capsizing your raft.

They’ve no time for advice to those standing on shore
or to aid the ones just wading out,
for their task is to pilot this current, they think,
and it’s all they can do to stay out of the drink,
and their lives could be gone in the space of a wink
should they lose but a moment to doubt.
Standing tall, they never must doubt!
Out where the river runs wild and free
and only the brave dare row;
where the rapids are deep, and the challenge is fresh
and it takes them where it means to go.
With breakneck speed, grinning into the wind,
standing straight on the bow of their craft,
just a glimpse now and then of those captains you’ll catch
flying by, near capsizing your raft.

They’ve no time for advice to those standing on shore
or to aid the ones just wading out,
for their task is to pilot this current, they think,
and it’s all they can do to stay out of the drink,
and their lives could be gone in the space of a wink
should they lose but a moment to doubt.
Standing tall, they never must doubt!
Seabiscuit vs. War Admiral (The Gaze)

    A hyper-realistic, high-resolution photograph capturing the apex of the 1938 match race between Seabiscuit and War Admiral.

    Focus: The composition is tight, showing both horses running neck-and-neck, dominating the frame. The camera angle is side-on and slightly low, emphasizing their size and muscle. The critical focus is on the space between the horses' heads as they are running stride for stride.

    Details: War Admiral (the dark bay) should show determination and slight surprise, with his head stretched out. Seabiscuit (the smaller bay) should display his characteristic "game" look—intense, focused, and seemingly looking directly into War Admiral's eyes (or toward his rival). Both jockeys (Red Pollard or George Woolf for Seabiscuit; Charles Kurtsinger for War Admiral) are visible, leaning low and urging their mounts on.

    Atmosphere: The light should be bright but slightly diffused, suggesting an autumn afternoon at Pimlico. Dust and track debris are kicked up behind them, blurred slightly by the horses' tremendous speed. The image must convey the raw power, intense rivalry, and the exact moment when the smaller horse asserts his dominance.

    Style: Cinematic photography, realistic texture, sharp focus on the horses' eyes and muscle definition.
Seabiscuit vs. War Admiral (The Gaze)

    A hyper-realistic, high-resolution photograph capturing the apex of the 1938 match race between Seabiscuit and War Admiral.

    Focus: The composition is tight, showing both horses running neck-and-neck, dominating the frame. The camera angle is side-on and slightly low, emphasizing their size and muscle. The critical focus is on the space between the horses' heads as they are running stride for stride.

    Details: War Admiral (the dark bay) should show determination and slight surprise, with his head stretched out. Seabiscuit (the smaller bay) should display his characteristic "game" look—intense, focused, and seemingly looking directly into War Admiral's eyes (or toward his rival). Both jockeys (Red Pollard or George Woolf for Seabiscuit; Charles Kurtsinger for War Admiral) are visible, leaning low and urging their mounts on.

    Atmosphere: The light should be bright but slightly diffused, suggesting an autumn afternoon at Pimlico. Dust and track debris are kicked up behind them, blurred slightly by the horses' tremendous speed. The image must convey the raw power, intense rivalry, and the exact moment when the smaller horse asserts his dominance.

    Style: Cinematic photography, realistic texture, sharp focus on the horses' eyes and muscle definition.
Seabiscuit vs. War Admiral (The Gaze)

    A hyper-realistic, high-resolution photograph capturing the apex of the 1938 match race between Seabiscuit and War Admiral.

    Focus: The composition is tight, showing both horses running neck-and-neck, dominating the frame. The camera angle is side-on and slightly low, emphasizing their size and muscle. The critical focus is on the space between the horses' heads as they are running stride for stride.

    Details: War Admiral (the dark bay) should show determination and slight surprise, with his head stretched out. Seabiscuit (the smaller bay) should display his characteristic "game" look—intense, focused, and seemingly looking directly into War Admiral's eyes (or toward his rival). Both jockeys (Red Pollard or George Woolf for Seabiscuit; Charles Kurtsinger for War Admiral) are visible, leaning low and urging their mounts on.

    Atmosphere: The light should be bright but slightly diffused, suggesting an autumn afternoon at Pimlico. Dust and track debris are kicked up behind them, blurred slightly by the horses' tremendous speed. The image must convey the raw power, intense rivalry, and the exact moment when the smaller horse asserts his dominance.

    Style: Cinematic photography, realistic texture, sharp focus on the horses' eyes and muscle definition.
Seabiscuit vs. War Admiral (The Gaze)

    A hyper-realistic, high-resolution photograph capturing the apex of the 1938 match race between Seabiscuit and War Admiral.

    Focus: The composition is tight, showing both horses running neck-and-neck, dominating the frame. The camera angle is side-on and slightly low, emphasizing their size and muscle. The critical focus is on the space between the horses' heads as they are running stride for stride.

    Details: War Admiral (the dark bay) should show determination and slight surprise, with his head stretched out. Seabiscuit (the smaller bay) should display his characteristic "game" look—intense, focused, and seemingly looking directly into War Admiral's eyes (or toward his rival). Both jockeys (Red Pollard or George Woolf for Seabiscuit; Charles Kurtsinger for War Admiral) are visible, leaning low and urging their mounts on.

    Atmosphere: The light should be bright but slightly diffused, suggesting an autumn afternoon at Pimlico. Dust and track debris are kicked up behind them, blurred slightly by the horses' tremendous speed. The image must convey the raw power, intense rivalry, and the exact moment when the smaller horse asserts his dominance.

    Style: Cinematic photography, realistic texture, sharp focus on the horses' eyes and muscle definition.