The Triumph Of Wisdom Art

The First approached the elephant, and happening to fall against his broad and study side, at once began to bawl; God bless me! But the elephant is very like a wall!
Woe unto them that call evil good, and good evil; that put darkness for light, and light for darkness; that put bitter for sweet, and sweet for bitter! "The world is in greater peril from those who tolerate or encourage evil than from those who actually commit it." DO NOT PUT WORDS IN THE IMAGE
When you pass through the waters, I will be with you; and when you pass through the rivers, they will not sweep over you. When you walk through the fire, you will not be burned; the flames will not set you ablaze.
When you pass through the waters, I will be with you; and when you pass through the rivers, they will not sweep over you. When you walk through the fire, you will not be burned; the flames will not set you ablaze.
Create a top hat from which liquid metal flows down the hair of a lady with strawberry blonde hair
Pixel art scene telling a story in a single frame in the art style of Pixel Art --v 6.1
Pixel art scene telling a story in a single frame in the art style of Pixel Art --v 6.1
Social media intervention as artistic practice in the art style of Net Art --v 6.1
Melancholic figure alone in a stark room in the art style of Expressionism --v 6.1
Theotokos (Virgin Mary) depicted in traditional pose in the art style of Byzantine --v 6.1
Theotokos (Virgin Mary) depicted in traditional pose in the art style of Byzantine --v 6.1
Theotokos (Virgin Mary) depicted in traditional pose in the art style of Byzantine --v 6.1
Portrait emphasizing the artist's personal vision over conceptual ideas in the art style of Stuckism --v 6.1
Portrait emphasizing the artist's personal vision over conceptual ideas in the art style of Stuckism --v 6.1
Portrait emphasizing the artist's personal vision over conceptual ideas in the art style of Stuckism --v 6.1
God in making the heavens and the earth
A couple embracing in winter
Spaceship
"A historically accurate depiction of a Ghost Dance, focusing on the late 19th-century context, specifically around 1890-1891. The scene shows Lakota (Sioux) or Northern Paiute people (specify one or include elements of both, but avoid anachronisms) participating in the ceremony. Setting: A vast, open prairie or high desert landscape, under an expansive sky. The time of day could be dusk or night, with a prominent moon or stars, or a bright, clear day. Avoid overtly spiritual or ethereal elements like floating spirits unless explicitly requested for a later, more symbolic iteration. The focus should be on the earthly ceremony. Participants: A circle of men, women, and children, hand-in-hand, moving in a slow, rhythmic shuffle or circular motion. Their faces show a mixture of devotion, hope, and determination. Some may have expressions of trance or deep concentration. Attire: Ghost Dance Shirts/Dresses: Emphasize the unique Ghost Dance shirts and dresses, which were typically made of muslin or canvas. These garments should feature painted designs such as stars, crescents, birds (especially eagles or crows), buffalo, human figures, or crosses. The designs should appear hand-painted, not mass-produced. Hair and Adornments: Participants should have braided hair or wear it long. Some may wear feathers (e.g., eagle or hawk feathers) in their hair. Minimal traditional adornments, as the focus was often on the Ghost Dance shirt itself. Avoid overly elaborate or Hollywood-esque depictions of war bonnets unless relevant to a specific individual and context. Footwear: Moccasins or bare feet. Action/Atmosphere: The dancers are moving in a counter-clockwise circle, with a central figure or a small group often leading. The overall mood is one of earnest prayer and communal spiritual effort. The dance should convey a sense of hope for renewal and the return of the old ways, rather than aggression or despair. There might be a central pole or small fire as a focal point, around which the dance takes place. Avoid any signs of direct conflict or violence; the Ghost Dance itself was a non-violent spiritual movement. Specific Considerations for Accuracy: Wovoka's Influence: The teachings of Wovoka (the Northern Paiute prophet) emphasized peace, hard work, and the return of the buffalo and deceased ancestors. The scene should subtly reflect this hopeful, redemptive spirit. Regional Variations: If focusing on Lakota, consider their specific interpretations, which sometimes included more imagery related to their warrior traditions on the shirts, but still within the peaceful framework of the dance. Respectful Portrayal: Ensure the depiction is respectful and avoids any stereotypical or caricatured representations of Indigenous people. Focus on their human dignity and spiritual sincerity.
A deep sea jellyfish garden
"good vibes" do not use words in the image
Good vibes. Do not use words in the image.
A butterfly landed on the canvas
Paris
Butterflies migrating across a fall meadow in the morning light with a light breeze swaying them upon the fall flowers
Large-scale earthwork altering the landscape in the art style of Land Art --v 6.1
Large-scale earthwork altering the landscape in the art style of Land Art --v 6.1
Large-scale earthwork altering the landscape in the art style of Land Art --v 6.1
Daniel in the lions' den surrounded by beasts in the art style of Bible Art --v 6.1
Daniel in the lions' den surrounded by beasts in the art style of Bible Art --v 6.1
Daniel in the lions' den surrounded by beasts in the art style of Bible Art --v 6.1
Daniel in the lions' den surrounded by beasts in the art style of Bible Art --v 6.1
Performance piece using the artist's body as a canvas in the art style of Body Art --v 6.1
Color theory exercise with primary shapes in the art style of Bauhaus --v 6.1
Color theory exercise with primary shapes in the art style of Bauhaus --v 6.1
The Fourth reached out his eager hand and felt about the knee. What most this wondrous beast is like is mighty plain, said he; Tis clear enough the Elephant is very like a tree!
Depict a forest using the elongated figures art style, turning trees into slender human-like forms. --v 6.1
Design futuristic robots using the elongated figures art style to challenge conventional body proportions. --v 6.1
Depict a forest using the elongated figures art style, turning trees into slender human-like forms. --v 6.1
Classic space invader alien design in ASCII in the art style of ASCII art --v 6.1
Classic space invader alien design in ASCII in the art style of ASCII art --v 6.1
Classic space invader alien design in ASCII in the art style of ASCII art --v 6.1