The Rose Of Venus Pattern Art

urban street with city activity
animal standing in natural pose
serene landscape with mountains and water
a painting of a man jumping in the air
a painting of a man jumping in the air
a painting of a man jumping in the air
a man sitting on the floor in front of candles
In the style of Franz Marc, create a horse startled from his rest. The horse is in a grassy field, fenced, with mountains in the background. The horse is a light tan with dark mane. The horse is sensitive to a coyote nearby, emerging from a stand of Ponderosa pines. The atmosphere is quiet and calm with some morning fog misting around.
In the style of Franz Marc, create a horse startled from his rest. The horse is in a grassy field, fenced, with mountains in the background. The horse is a light tan with dark mane. The horse is sensitive to a coyote nearby, emerging from a stand of Ponderosa pines. The atmosphere is quiet and calm with some morning fog misting around.
A detailed, ancient-style map of the land of Canaan, with distinct, labeled territories for the Hivites, Arkite, and Sinite people groups. Each territory should have subtle visual cues reflecting their possible historical characteristics or natural environments. For example, the Hivite territory could show some hilly or forested areas, the Arkite territory might feature a coastal city, and the Sinite territory could suggest a more inland or mountainous region. The map should have a weathered, parchment-like texture, with an elegant, old-world font for the labels. In one corner, a small, illuminated manuscript-style illustration could depict three distinct figures, each subtly representing one of the groups, perhaps dressed in period-appropriate attire and engaging in an activity typical of their region. The overall aesthetic should evoke historical scholarship and cartography."
Please remake the image of the famous painting "THE HELPING HAND" by Renouf in steampunk fantasy style.
portrait of a person with expressive eyes
Solar city rhythm
Meme-inspired fine art piece in the art style of Post-Internet Art --v 6.1
Meme-inspired fine art piece in the art style of Post-Internet Art --v 6.1
Meme-inspired fine art piece in the art style of Post-Internet Art --v 6.1
portrait of two people together
Over-the-top still life with an abundance of objects and details in the art style of Maximalism --v 6.1
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
Garden of Eden with Adam, Eve, and serpent in the art style of Bible Art --v 6.1
Garden of Eden with Adam, Eve, and serpent in the art style of Bible Art --v 6.1
a painting of a man jumping in the air
a man jumping in the air with a pair of suspenders
a painting of a man jumping in the air
In the style of Franz Marc, create a horse startled from his rest. The horse is in a grassy field, fenced, with mountains in the background. The horse is a light tan with dark mane. The horse is sensitive to a coyote nearby, emerging from a stand of Ponderosa pines. The atmosphere is quiet and calm with some morning fog misting around.
A grizzly bear on the edge of a forest on a mountain, overlooking a beautiful partly cloudy sky. Proverbs 17:12 KJV  Let a bear robbed of her whelps meet a man, rather than a fool in his folly.
A grizzly bear on the edge of a forest on a mountain, overlooking a beautiful partly cloudy sky. Proverbs 17:12 KJV  Let a bear robbed of her whelps meet a man, rather than a fool in his folly.
Meme-inspired fine art piece in the art style of Post-Internet Art --v 6.1
A majestic and inspiring depiction of the Crazy Horse National Memorial, captured from a slightly elevated, wide-angle perspective that emphasizes its immense scale and ongoing construction. The colossal carving of Crazy Horse on his war pony is the dominant feature, shown in its current state of detailed progress, with the iconic outstretched arm and pointing finger prominent against the rugged Black Hills. Visible elements of the carving process, such as scaffolding, construction equipment (subtly integrated), or evidence of rock removal, are present, highlighting the monumental effort and generations of work involved. The surrounding landscape of the Black Hills is an integral part of the composition, with pine forests, granite formations, and the vast, open sky providing a dramatic and respectful setting. The lighting is strong and clear, perhaps mid-morning or late afternoon sun, casting dramatic shadows that define the contours of the mountain and the carving. The atmosphere conveys a sense of enduring tribute, cultural pride, determination, and the sheer scale of human endeavor dedicated to honoring a legendary figure. The artistic style is a highly realistic, detailed landscape painting or photograph, emphasizing grandeur and reverence
a painting of a man floating in the air
a painting of a man floating in the air
no more shall the sound of weeping be heard in it,
or the cry of distress.

No more shall there be in it
an infant that lives but a few days,
or an old person who does not live out a lifetime;

for one who dies at a hundred years will be considered a youth,
and one who falls short of a hundred will be considered accursed.

They shall build houses and inhabit them;
they shall plant vineyards and eat their fruit.
Thou I walk through the valley shadow of death I shall fear no evil
Symbolic representation of the four evangelists in the art style of Byzantine --v 6.1
Symbolic representation of the four evangelists in the art style of Byzantine --v 6.1
Symbolic representation of the four evangelists in the art style of Byzantine --v 6.1
portrait of two people together
portrait of two people together
portrait of two people together
portrait of two people together
portrait of two people together