Provide Realistic Violence Content Art

Renaissance Painting Art Style, a joyful and purposeful group of ancient Israelites, including smiling elderly men and women, walking with a sense of contentment and humble pride. Each carries beautifully crafted clay jars or alabaster flasks filled with pure, clear, golden oil of pressed olives. The oil shimmers with an ethereal clarity within the translucent vessels. They are making their way along a sunny path in the Tabernacle courtyard, with glimpses of the Tabernacle structure in the background. The light is bright and warm, illuminating their radiant faces and highlighting the honor and devotion in their offering. Focus on the rich textures of their simple linen garments, the liquid clarity and glow of the olive oil, and the celebratory, devotional atmosphere of their task.
Renaissance Painting Art Style, a joyful and purposeful group of ancient Israelites, including smiling elderly men and women, walking with a sense of contentment and humble pride. Each carries beautifully crafted clay jars or alabaster flasks filled with pure, clear, golden oil of pressed olives. The oil shimmers with an ethereal clarity within the translucent vessels. They are making their way along a sunny path in the Tabernacle courtyard, with glimpses of the Tabernacle structure in the background. The light is bright and warm, illuminating their radiant faces and highlighting the honor and devotion in their offering. Focus on the rich textures of their simple linen garments, the liquid clarity and glow of the olive oil, and the celebratory, devotional atmosphere of their task.
Father and Grandmother with Siu Zi leaving their home in a Guangzhou street in the dark of night.  There is an air of secrecy. Siu Zi clutches her small bag, its contents little more than a few treasured keepsakes and faded photographs. Her father’s reassuring hand on her shoulder, and the soft presence of her grandmother at his side, give her the courage to move forward. A taxi waits down the street to take them to the train.
Open concept living space
Jazz concert poster
Walnut credenza with hairpin legs
All-white living room with single plant
Every house on suburban street photographed identically
Factory workers at shift change
Concert Poster Design Style Transfer Example
Concert Poster Design Style Transfer Example
Shock-value artwork designed to provoke public reaction in the style of Young British Artists --v 6.1
Shock-value artwork designed to provoke public reaction in the style of Young British Artists --v 6.1
Shock-value artwork designed to provoke public reaction in the style of Young British Artists --v 6.1
Shock-value artwork designed to provoke public reaction in the style of Young British Artists --v 6.1
Guitar with wine bottle and newspaper
Person experiencing joy
urban street with city activity
animal standing in natural pose
still life with everyday objects
wide landscape with natural scenery
Rock band poster
Creepy Children's Drawing Style Style Transfer Example
كرة القدم الامريكيه
a tree in nature
bicyle resting against a wall
urban street with city activity
wide landscape with natural scenery
Creepy Children's Drawing Style Style Transfer Example
house with front view
portrait of two people together
still life with everyday objects
animal standing in natural pose
serene landscape with mountains and water
portrait of a person with expressive eyes
still life arrangement of fruits and flowers
Athlete with discus in contrapposto pose
Architectural concept with biomorphic structures in the art style of Biomorphism --v 6.1
Architectural concept with biomorphic structures in the art style of Biomorphism --v 6.1
Architectural concept with biomorphic structures in the art style of Biomorphism --v 6.1
Architectural concept with biomorphic structures in the art style of Biomorphism --v 6.1
A triptych oil painting, presented as three heavily framed, connected panels in the dramatic, tenebrism style of Baroque masters like Caravaggio. The overall atmosphere is one of supernatural, oppressive darkness and violent chaos.

The Left Panel shows the penitent thief on his cross, body twisted in pain but his face turned toward the center panel with a look of sorrowful acceptance. A faint, supernatural light illuminates his face against a nearly black sky. Below him, rocks are splitting.

The Center Panel is dominated by Jesus on the cross, head bowed in finality. The sky is a swirling vortex of eclipse darkness, blotting out the sun. The ground beneath the cross is violently cracking open, emitting dust and smoke, with debris caught in mid-air from the earthquake shockwave.

The Right Panel shows the impenitent thief, writhing and screaming against his bonds, his face contorted in rage looking away from the center. He is almost swallowed by the shadows. The cross appears unstable as the cliffside crumbles beneath it. The entire triptych has a rich, dark color palette of deep browns, blacks, and muted crimson, textured with visible, frantic brushstrokes.