New Media Art

urban street with city activity
serene landscape with mountains and water
portrait of a person with expressive eyes
Figurative painting with psychological complexity in the art style of New European Painting --v 6.1
Figurative painting with psychological complexity in the art style of New European Painting --v 6.1
Interior scene with ambiguous narrative and mood in the art style of New European Painting --v 6.1
Interior scene with ambiguous narrative and mood in the art style of New European Painting --v 6.1
Portrait with subtle narrative and symbolic elements in the art style of New European Painting --v 6.1
Portrait with subtle narrative and symbolic elements in the art style of New European Painting --v 6.1
Portrait with subtle narrative and symbolic elements in the art style of New European Painting --v 6.1
Image Brief — “Britian. A Chocolate State of Mind.” (Landscape / Conference Hall) Visual Concept: A photographic, data-style image capturing the absurdity of corporate branding and political satire. The chocolate bar spelling “Britian” is the central focus. The scene is staged in a conference hall, emphasizing the formal-but-absurd atmosphere of a high-profile political event. Core Elements: • Chocolate bar front and center, wrapper crumpled, spelling clearly visible. • Backdrop / environment: realistic conference hall — lectern in the frame, faint rows of seating or stage elements, subtle signs of a political event. No office props. • Palette: predominantly blue tones (lighting, hall décor, banners), with small Tory-signifier accents (navy, subtle red) to hint at political context. • Orientation: landscape (wide) — must match the style and aspect ratio of other blog images. • Lighting / style: naturalistic photography; soft, realistic shadows; slightly moody, surreal undertone; no cartoonish or illustrative effects. • Mood / atmosphere: dry, ironic, subtly surreal — visually echoing Tom Kite’s sardonic, satirical voice. Typography (optional): Small text on wrapper: “Have a break from reality” in clean, bold type, integrated naturally into the photographic scene. Use / Context: • Featured image for blog post “Britian. A Chocolate State of Mind.” • Must work as both thumbnail and full-size blog header. • Maintain photographic, slightly surreal style consistent with other blog imagery Inspiration is Hannah Hoch, Jean-Michel Basquiat, John Stezaker
Image Brief — “Britian. A Chocolate State of Mind.” (Landscape / Conference Hall) Visual Concept: A photographic, data-style image capturing the absurdity of corporate branding and political satire. The chocolate bar spelling “Britian” is the central focus. The scene is staged in a conference hall, emphasizing the formal-but-absurd atmosphere of a high-profile political event. Core Elements: • Chocolate bar front and center, wrapper crumpled, spelling clearly visible. • Backdrop / environment: realistic conference hall — lectern in the frame, faint rows of seating or stage elements, subtle signs of a political event. No office props. • Palette: predominantly blue tones (lighting, hall décor, banners), with small Tory-signifier accents (navy, subtle red) to hint at political context. • Orientation: landscape (wide) — must match the style and aspect ratio of other blog images. • Lighting / style: naturalistic photography; soft, realistic shadows; slightly moody, surreal undertone; no cartoonish or illustrative effects. • Mood / atmosphere: dry, ironic, subtly surreal — visually echoing Tom Kite’s sardonic, satirical voice. Typography (optional): Small text on wrapper: “Have a break from reality” in clean, bold type, integrated naturally into the photographic scene. Use / Context: • Featured image for blog post “Britian. A Chocolate State of Mind.” • Must work as both thumbnail and full-size blog header. • Maintain photographic, slightly surreal style consistent with other blog imagery Inspiration is Hannah Hoch, Jean-Michel Basquiat, John Stezaker
Interior scene with ambiguous narrative and mood in the art style of New European Painting --v 6.1
Interior scene with ambiguous narrative and mood in the art style of New European Painting --v 6.1
Portrait with subtle narrative and symbolic elements in the art style of New European Painting --v 6.1
Triptych addressing personal and collective history in the art style of New European Painting --v 6.1
Triptych addressing personal and collective history in the art style of New European Painting --v 6.1
Triptych addressing personal and collective history in the art style of New European Painting --v 6.1
Triptych addressing personal and collective history in the art style of New European Painting --v 6.1
Group composition reflecting on contemporary social dynamics in the art style of New European Painting --v 6.1
Group composition reflecting on contemporary social dynamics in the art style of New European Painting --v 6.1
Group composition reflecting on contemporary social dynamics in the art style of New European Painting --v 6.1
Urban scene blending realism and expressive brushwork in the art style of New European Painting --v 6.1
Urban scene blending realism and expressive brushwork in the art style of New European Painting --v 6.1
Landscape merging observed reality with imaginative elements in the art style of New European Painting --v 6.1
Figurative abstraction exploring human form and gesture in the art style of New European Painting --v 6.1
Figurative abstraction exploring human form and gesture in the art style of New European Painting --v 6.1
Figurative abstraction exploring human form and gesture in the art style of New European Painting --v 6.1
Landscape merging observed reality with imaginative elements in the art style of New European Painting --v 6.1
Urban scene blending realism and expressive brushwork in the art style of New European Painting --v 6.1
Urban scene blending realism and expressive brushwork in the art style of New European Painting --v 6.1
Group composition reflecting on contemporary social dynamics in the art style of New European Painting --v 6.1
Landscape merging observed reality with imaginative elements in the art style of New European Painting --v 6.1
Landscape merging observed reality with imaginative elements in the art style of New European Painting --v 6.1
Figurative abstraction exploring human form and gesture in the art style of New European Painting --v 6.1
A majestic and awe-inspiring depiction of one of the twelve gates of the New Jerusalem, as described in Revelation 21:21, with an intense emphasis on the pearl. The gate itself is monumental, fashioned entirely from a single, colossal, luminous pearl, radiating an otherworldly, soft, iridescent glow. The pearl's surface exhibits incredible detail, showing subtle layers, mother-of-pearl sheen, and a perfect, smooth, spherical quality even in its flat gate form. The gate stands open, revealing a glimpse of the glorious city within – a city made of pure gold, as transparent as glass, with streets of pure gold like transparent glass. Brilliant, divine light streams from within the city, casting ethereal glows and soft shadows. The architecture seen beyond the gate is grand and heavenly, hinting at impossible beauty. The surroundings of the gate are similarly divine but serve to highlight the pearl: perhaps the foundations are adorned with precious stones as described in Revelation 21:19-20, or the approach to the gate is paved with the transparent gold. The sky above is a glorious, clear, and vibrant heavenly blue, possibly hinting at the glory of God. The lighting is transcendent and soft, emphasizing the pearl's luminous quality and its immaculate perfection. The overall mood is one of profound sanctity, overwhelming beauty, divine welcome, and immense glory.
jewish couple with a new born child in a manger
jewish couple with a new born child in a manger
New York City
New York City, hyper detailed
New York City
1950s circle skirt ensemble