Motion Blur Impressionism Art Style Style Transfer Example Art

Dreamlike vision with symbolic imagery in the art style of Romanticism --v 6.1
Nonsensical collage of everyday objects in the art style of Dada --v 6.1
Streamlined industrial product design in the art style of Modernism --v 6.1
Nonsensical collage of everyday objects in the art style of Dada --v 6.1
Series of paintings depicting same subject at different times in the art style of Post-Impressionism --v 6.1
Merfolk kingdom under the sea in the art style of Fantasy Art --v 6.1
Video game concept art with Superflat visual style in the art style of Superflat --v 6.1
Video game concept art with Superflat visual style in the art style of Superflat --v 6.1
Video game concept art with Superflat visual style in the art style of Superflat --v 6.1
Labor union meeting or strike in the art style of Social Realism --v 6.1
Labor union meeting or strike in the art style of Social Realism --v 6.1
Labor union meeting or strike in the art style of Social Realism --v 6.1
Cute mascot character design in the art style of Anime --niji 6
Cute mascot character design in the art style of Anime --niji 6
Seabiscuit vs. War Admiral (The Gaze) A hyper-realistic, high-resolution photograph capturing the apex of the 1938 match race between Seabiscuit and War Admiral. Focus: The composition is tight, showing both horses running neck-and-neck, dominating the frame. The camera angle is side-on and slightly low, emphasizing their size and muscle. The critical focus is on the space between the horses' heads as they are running stride for stride. Details: War Admiral (the dark bay) should show determination and slight surprise, with his head stretched out. Seabiscuit (the smaller bay) should display his characteristic "game" look—intense, focused, and seemingly looking directly into War Admiral's eyes (or toward his rival). Both jockeys (Red Pollard or George Woolf for Seabiscuit; Charles Kurtsinger for War Admiral) are visible, leaning low and urging their mounts on. Atmosphere: The light should be bright but slightly diffused, suggesting an autumn afternoon at Pimlico. Dust and track debris are kicked up behind them, blurred slightly by the horses' tremendous speed. The image must convey the raw power, intense rivalry, and the exact moment when the smaller horse asserts his dominance. Style: Cinematic photography, realistic texture, sharp focus on the horses' eyes and muscle definition.
Seabiscuit vs. War Admiral (The Gaze) A hyper-realistic, high-resolution photograph capturing the apex of the 1938 match race between Seabiscuit and War Admiral. Focus: The composition is tight, showing both horses running neck-and-neck, dominating the frame. The camera angle is side-on and slightly low, emphasizing their size and muscle. The critical focus is on the space between the horses' heads as they are running stride for stride. Details: War Admiral (the dark bay) should show determination and slight surprise, with his head stretched out. Seabiscuit (the smaller bay) should display his characteristic "game" look—intense, focused, and seemingly looking directly into War Admiral's eyes (or toward his rival). Both jockeys (Red Pollard or George Woolf for Seabiscuit; Charles Kurtsinger for War Admiral) are visible, leaning low and urging their mounts on. Atmosphere: The light should be bright but slightly diffused, suggesting an autumn afternoon at Pimlico. Dust and track debris are kicked up behind them, blurred slightly by the horses' tremendous speed. The image must convey the raw power, intense rivalry, and the exact moment when the smaller horse asserts his dominance. Style: Cinematic photography, realistic texture, sharp focus on the horses' eyes and muscle definition.
Seabiscuit vs. War Admiral (The Gaze) A hyper-realistic, high-resolution photograph capturing the apex of the 1938 match race between Seabiscuit and War Admiral. Focus: The composition is tight, showing both horses running neck-and-neck, dominating the frame. The camera angle is side-on and slightly low, emphasizing their size and muscle. The critical focus is on the space between the horses' heads as they are running stride for stride. Details: War Admiral (the dark bay) should show determination and slight surprise, with his head stretched out. Seabiscuit (the smaller bay) should display his characteristic "game" look—intense, focused, and seemingly looking directly into War Admiral's eyes (or toward his rival). Both jockeys (Red Pollard or George Woolf for Seabiscuit; Charles Kurtsinger for War Admiral) are visible, leaning low and urging their mounts on. Atmosphere: The light should be bright but slightly diffused, suggesting an autumn afternoon at Pimlico. Dust and track debris are kicked up behind them, blurred slightly by the horses' tremendous speed. The image must convey the raw power, intense rivalry, and the exact moment when the smaller horse asserts his dominance. Style: Cinematic photography, realistic texture, sharp focus on the horses' eyes and muscle definition.
Seabiscuit vs. War Admiral (The Gaze) A hyper-realistic, high-resolution photograph capturing the apex of the 1938 match race between Seabiscuit and War Admiral. Focus: The composition is tight, showing both horses running neck-and-neck, dominating the frame. The camera angle is side-on and slightly low, emphasizing their size and muscle. The critical focus is on the space between the horses' heads as they are running stride for stride. Details: War Admiral (the dark bay) should show determination and slight surprise, with his head stretched out. Seabiscuit (the smaller bay) should display his characteristic "game" look—intense, focused, and seemingly looking directly into War Admiral's eyes (or toward his rival). Both jockeys (Red Pollard or George Woolf for Seabiscuit; Charles Kurtsinger for War Admiral) are visible, leaning low and urging their mounts on. Atmosphere: The light should be bright but slightly diffused, suggesting an autumn afternoon at Pimlico. Dust and track debris are kicked up behind them, blurred slightly by the horses' tremendous speed. The image must convey the raw power, intense rivalry, and the exact moment when the smaller horse asserts his dominance. Style: Cinematic photography, realistic texture, sharp focus on the horses' eyes and muscle definition.
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
A giant grouper fish, over a coral reef in the ocean, professional photography, extreme detail ( Psalms 124:1-6 KJVA A Song of degrees of David. If it had not been the LORD who was on our side, now may Israel say; (2) If it had not been the LORD who was on our side, when men rose up against us: (3) Then they had swallowed us up quick, when their wrath was kindled against us: (4) Then the waters had overwhelmed us, the stream had gone over our soul: (5) Then the proud waters had gone over our soul. (6) Blessed be the LORD, who hath not given us as a prey to their teeth.
Noah's Ark amidst turbulent floodwaters in the art style of Bible Art --v 6.1
Noah's Ark amidst turbulent floodwaters in the art style of Bible Art --v 6.1
Artwork depicting expanded states of consciousness in the art style of Visionary Art --v 6.1
Painting combining multiple historical art styles in the art style of Postmodernism --v 6.1
Atmospheric painting with blurred color transitions in the art style of Color Field Painting --v 6.1
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
a tree in nature
bicyle resting against a wall
portrait of two people together
still life arrangement of fruits and flowers
Create a ballerina using the elongated figures art style, emphasizing impossible grace and reach. --v 6.1
Create a ballerina using the elongated figures art style, emphasizing impossible grace and reach. --v 6.1
Depict a forest using the elongated figures art style, turning trees into slender human-like forms. --v 6.1
Depict a forest using the elongated figures art style, turning trees into slender human-like forms. --v 6.1
Text-based cat face with whiskers in the art style of ASCII art --v 6.1
Text-based cat face with whiskers in the art style of ASCII art --v 6.1
Text-based cat face with whiskers in the art style of ASCII art --v 6.1
Serene Buddha statue in a misty garden in the art style of Religious Art --v 6.1
Serene Buddha statue in a misty garden in the art style of Religious Art --v 6.1
Exodus scene with parting of the Red Sea in the art style of Bible Art --v 6.1
David facing Goliath with sling in hand in the art style of Bible Art --v 6.1
Ancient tree of life with magical aura in the art style of Fantasy Art --v 6.1