Land Art

Stone arrangement in a remote natural setting in the art style of Land Art --v 6.1
Temporary beach installation working with tides in the art style of Land Art --v 6.1
Desert installation playing with light and shadow in the art style of Land Art --v 6.1
Desert installation playing with light and shadow in the art style of Land Art --v 6.1
Desert installation playing with light and shadow in the art style of Land Art --v 6.1
Desert installation playing with light and shadow in the art style of Land Art --v 6.1
Spiral earthwork visible from aerial view in the art style of Land Art --v 6.1
Spiral earthwork visible from aerial view in the art style of Land Art --v 6.1
Ecological art project restoring a damaged ecosystem in the art style of Land Art --v 6.1
Ecological art project restoring a damaged ecosystem in the art style of Land Art --v 6.1
Ecological art project restoring a damaged ecosystem in the art style of Land Art --v 6.1
Ecological art project restoring a damaged ecosystem in the art style of Land Art --v 6.1
Spiral earthwork visible from aerial view in the art style of Land Art --v 6.1
Spiral earthwork visible from aerial view in the art style of Land Art --v 6.1
Snow and ice sculpture responding to winter environment in the art style of Land Art --v 6.1
Snow and ice sculpture responding to winter environment in the art style of Land Art --v 6.1
Snow and ice sculpture responding to winter environment in the art style of Land Art --v 6.1
Snow and ice sculpture responding to winter environment in the art style of Land Art --v 6.1
Environmental art using only materials found on-site in the art style of Land Art --v 6.1
Environmental art using only materials found on-site in the art style of Land Art --v 6.1
Environmental art using only materials found on-site in the art style of Land Art --v 6.1
Environmental art using only materials found on-site in the art style of Land Art --v 6.1
Line of stones placed at low tide
A thrilling and vibrant scene from the board game Candy Land, capturing the excitement of sliding down its biggest, most iconic slide. The slide itself is massive, curving, and made entirely of a glistening, colorful candy material, like a giant, rainbow-striped candy cane or smooth, translucent hard candy. A cheerful, diverse group of children (or classic Candy Land characters like Princess Lolly or Mr. Mint) are depicted in mid-descent, laughing and filled with joy, their hands in the air.

Below and around the slide, the fantastical landscape of Candy Land stretches out: rolling hills of frosting, lollipop trees, rivers of chocolate, gingerbread houses, and giant gumdrops. The colors are incredibly vivid and saturated, creating a truly fantastical and edible world. The perspective is dynamic, looking down the slide with the characters, enhancing the sense of speed and fun. The lighting is bright and cheerful, emphasizing the candy's sparkle and the overall joyful atmosphere.
A thrilling and vibrant scene from the board game Candy Land, capturing the excitement of sliding down its biggest, most iconic slide. The slide itself is massive, curving, and made entirely of a glistening, colorful candy material, like a giant, rainbow-striped candy cane or smooth, translucent hard candy. A cheerful, diverse group of children (or classic Candy Land characters like Princess Lolly or Mr. Mint) are depicted in mid-descent, laughing and filled with joy, their hands in the air.

Below and around the slide, the fantastical landscape of Candy Land stretches out: rolling hills of frosting, lollipop trees, rivers of chocolate, gingerbread houses, and giant gumdrops. The colors are incredibly vivid and saturated, creating a truly fantastical and edible world. The perspective is dynamic, looking down the slide with the characters, enhancing the sense of speed and fun. The lighting is bright and cheerful, emphasizing the candy's sparkle and the overall joyful atmosphere.
Land/Environmental Conceptual Art Style Style Transfer Example

And the gold of that land is good: there is bdellium and the onyx stone. 
(Genesis 2:12 KJV)
Land/Environmental Conceptual Art Style Style Transfer Example
A surreal sculpture of a humanoid shape made of magnetic liquid metal, caught in a state of transformation, ArtStyle liquid metal. The composition is split between water and land. On the water side, the entity's leg is a vortex of water and metal swirling together, zero gravity liquid droplets rising up. On the land side, the other leg creates heavy, thick strands of magnetic fluid stretching and snapping as it steps onto the terrain, pulling the ocean with it. Intense texture of ferrofluid spikes and smooth metallic curves. Dramatic shadows, wet surface rendering, hyper-realistic physics.
Desert heat impression
Wheat field with distant mountains
Hyper-realistic Andean condor flying in the sky over a forest, leaving a shimmering trail of glittering sparkles where it goes, extreme detail, photorealistic, cinematic lighting
And the name of the second river is Gihon: the same is it that compasseth the whole land of Ethiopia. 
(Genesis 2:13 KJV)

The name of the first is Pison: that is it which compasseth the whole land of Havilah, where there is gold; 
(Genesis 2:11 KJV)
The Dagda, powerful Celtic god, standing with a massive, muscular horse at his side. Earthy robes, bronze and gold torc, long dark hair, commanding presence. Horses moving in the background like living wealth of the land. Misty forest or rolling hills, dawn light piercing fog, mythic realism, cinematic Celtic fantasy, raw authority, natural textures.
The Dagda, powerful Celtic god, standing with a massive, muscular horse at his side. Earthy robes, bronze and gold torc, long dark hair, commanding presence. Horses moving in the background like living wealth of the land. Misty forest or rolling hills, dawn light piercing fog, mythic realism, cinematic Celtic fantasy, raw authority, natural textures.
19th-Century Naturalistic Oil Painting Style, Rich Earth Tones, Rustic Textures and dramatic barn lighting. A tense, detailed scene inside an old, timber-framed stable at midday.

The Antagonist (The Dog): Right in the center of a large, rough wooden manger overflowing with golden, dry hay, a scruffy, snarling terrier-mix dog is curled up aggressively. Its teeth are bared in a vicious snap, its hackles are raised, and its eyes are fixed selfishly on the intruders.

The Victims (The Oxen): Two massive, powerful oxen with large yokes and gentle, hungry eyes are leaning over the manger rail. Their huge heads are close to the hay, but they are recoiling slightly from the snapping dog. One ox has drool dripping from its mouth, looking at the hay with desperation and confusion. The size difference between the massive heads of the oxen and the small, spiteful dog is emphasized.

The Atmosphere: A strong shaft of natural sunlight cuts through an open barn door, illuminating dancing dust motes and highlighting the textures of the straw, the rough wood grain of the manger, and the matted fur of the dog. The rest of the barn is in warm shadow.
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
a tree in nature
house with front view
serene landscape with mountains and water
still life arrangement of fruits and flowers