He Came As A Witness To Testify To The Light Art

portrait of a person with expressive eyes
An ancient temple complex
An ancient temple complex
serene landscape with mountains and water
A break-dancer mid-spin
A coral reef ecosystem
portrait of a person with expressive eyes
portrait of a person with expressive eyes
a statue of a man holding a disc
a statue of a man holding a sword
a statue of a man holding a sword
a tree in nature
a tree in nature
a tree in nature
a tree in nature
a tree in nature
a tree in nature
a tree in nature
A sleeping cat
a tree in nature
a tree in nature
a tree in nature
a tree in nature
a tree in nature
a tree in nature
a tree in nature
a tree in nature
a tree in nature
bicyle resting against a wall
bicyle resting against a wall
a tree in nature
The Wizard of Oz Scarecrow, looking surprised and slightly alarmed, as a group of winged flying monkeys descends rapidly from the sky towards him, their taloned feet reaching out. The scene is set in a vibrant, slightly fantastical field with a yellow brick road visible in the distance. Emphasize dynamic motion and the contrast between the playful yet menacing monkeys and the innocent Scarecrow
“The sacrifices of God are a broken spirit: a broken and a contrite heart, O God, thou wilt not despise.” (Psalms 51:17, KJV)
Fishing in the early morning fog on a lake.
still life arrangement of fruits and flowers
still life arrangement of fruits and flowers
still life arrangement of fruits and flowers
I sat, long ago, on an Asian hill with a Shakya Mundi friend, and watched the autumn leaves fall down from high above, giants in the forest casting off their wakefulness, falling progressively into winter’s long, white sleep. 

“The important thing to know about trees” he said, “is that they are most beautiful in autumn; just before the winter snow.  They live and grow through the entire year just for these brief moments of stunning beauty.  We are like that.” He said, “but we have only one autumn, and a very long winter.”
a painting of a man in a tank top
An abstract fusion of the Capricorn constellation and a mountain being turned to ash. Ethereal hands stretching out against a "destroying mountain" as it rolls off a cosmic cliff. The colors are charcoal, deep bronze, and flickering fire-orange. No cornerstones remain; the geometry of the mountain is fracturing. Surrealist style, sharp edges, metallic highlights, symbolic of Jeremiah 51:24-26.
a painting of a man holding a hoop
“And to Jesus the mediator of the new covenant, and to the blood of sprinkling, that speaketh better things than that of Abel. See that ye refuse not him that speaketh. For if they escaped not who refused him that spake on earth, much more shall not we escape, if we turn away from him that speaketh from heaven: Whose voice then shook the earth: but now he hath promised, saying, Yet once more I shake not the earth only, but also heaven.” (Hebrews 12:24-26, KJV)