Contemporary Digital Landscape Art Style Style Transfer Example Art

A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
Cinematic Still Life Photography, Atmospheric Chiaroscuro Lighting, Macro Details. A high-stakes chess game mid-match, set upon a unique, well-worn board inside the dimly lit quarters of a pirate captain. The Board: The chessboard isn't separate; the squares are carved directly into the surface of a thick, heavy oak table, stained with rum rings and knife marks. The light squares are inlaid, scratched mother-of-pearl, and the dark squares are burned wood. The Pieces in Play: The unique pirate-themed pieces (from the previous design) are scattered across the board. One side (The 'White' pieces): Carved from aged, yellowed whale bone. A "King Captain" piece is cornered behind a line of "Pawn Deckhands." The other side (The 'Black' pieces): Cast from heavy, tarnished blackened iron. An iron "Knight Boarding Party" piece (on a rope swing) is aggressively positioned near the center. The Atmosphere: The scene is lit dramatically by a single, smoky oil lantern hanging overhead, casting long shadows. Scattered around the board on the table are a few real gold doubloons mixed with captured pieces, a half-empty bottle of grog, and a rolled-up parchment chart. The background is dark wood paneling and a glimpse of a flintlock pistol. The focus is razor-sharp on the textures of the carved bone and corroded iron pieces.
Cinematic Still Life Photography, Atmospheric Chiaroscuro Lighting, Macro Details. A high-stakes chess game mid-match, set upon a unique, well-worn board inside the dimly lit quarters of a pirate captain. The Board: The chessboard isn't separate; the squares are carved directly into the surface of a thick, heavy oak table, stained with rum rings and knife marks. The light squares are inlaid, scratched mother-of-pearl, and the dark squares are burned wood. The Pieces in Play: The unique pirate-themed pieces (from the previous design) are scattered across the board. One side (The 'White' pieces): Carved from aged, yellowed whale bone. A "King Captain" piece is cornered behind a line of "Pawn Deckhands." The other side (The 'Black' pieces): Cast from heavy, tarnished blackened iron. An iron "Knight Boarding Party" piece (on a rope swing) is aggressively positioned near the center. The Atmosphere: The scene is lit dramatically by a single, smoky oil lantern hanging overhead, casting long shadows. Scattered around the board on the table are a few real gold doubloons mixed with captured pieces, a half-empty bottle of grog, and a rolled-up parchment chart. The background is dark wood paneling and a glimpse of a flintlock pistol. The focus is razor-sharp on the textures of the carved bone and corroded iron pieces.
When you pass through the waters, I will be with you; and when you pass through the rivers, they will not sweep over you. When you walk through the fire, you will not be burned; the flames will not set you ablaze.
ezekiel 1:1-28 create the angel described in these verses give the wheels eyes and make sure the animal heads are in the right place. it needs 4 wings, head of a lion, human, ox, and eagle
ezekiel 1:1-28 create the angel described in these verses give the wheels eyes and make sure the animal heads are in the right place. it needs 4 wings, head of a lion, human, ox, and eagle feet like a calf
ezekiel 1:1-28 create the angel described in these verses
ezekiel 1:1-28 create the angel described in these verses give the wheels eyes and make sure the animal heads are in the right place
Dragon in modern city
New York City
Crystal cave
Landscape reduced to essential geometric forms in the art style of Analytical Art --v 6.1
Abstract landscape with bold, expressive marks in the art style of Abstract Expressionism --v 6.1
Abstract landscape with bold, expressive marks in the art style of Abstract Expressionism --v 6.1
a tree in nature
house with front view
bicyle resting against a wall
urban street with city activity
still life arrangement of fruits and flowers
portrait of a person with expressive eyes
house with front view
bicyle resting against a wall
urban street with city activity
still life with everyday objects
portrait of a person with expressive eyes
still life arrangement of fruits and flowers
Mythological scene reinterpreted with contemporary resonance in the art style of Neo-Romanticism --v 6.1
A historically accurate and atmospheric depiction of the signing of the Mayflower Compact aboard the ship in November 1620. The scene is set in the dimly lit, cramped cabin of the Mayflower, with the ship's timbers and rigging subtly visible, conveying the challenging conditions of the voyage. A simple table or chest serves as the signing surface. The primary focus is on a small group of the last individuals signing the document: specifically, the indentured servants (or 'strangers' not directly part of the Separatist congregation) approaching or at the table. Their expressions show a mix of weary determination, understanding of the necessity, and perhaps a hint of quiet apprehension or resignation to this new social contract, given their status. They are dressed in the plain, practical clothing typical of 17th-century commoners and laborers. Figures of prominent Pilgrims or 'Saints' (like William Bradford or John Carver) are visible in the background, observing the proceedings with a sense of gravity and leadership, but they are not the central focus. The lighting is low and warm, perhaps from a lantern, creating a chiaroscuro effect that highlights the faces of the signers. The atmosphere conveys the momentousness of the act under difficult circumstances, the diverse composition of the group, and the early seeds of self-governance in a new world. The artistic style is a realistic, historically detailed oil painting, capturing the solemnity and human element of this pivotal historical moment."
Create an image of the short-lived U.S. Army post known as Fort Lowell, New Mexico, circa 1868. The buildings are made of rough-hewn, rustic logs and timber, surrounded by a high mountain valley and coniferous trees, reflecting the high altitude of the New Mexico territory. Show a small number of New Mexico volunteers in period uniforms and their horses within a simple log palisade or fence line. The scene should be overcast and rugged, capturing the isolation of a frontier outpost
Expressionist landscape of the Australian outback in the art style of Antipodeans --v 6.1
Visionary Art Style, Bioluminescence Art Style, an awe-inspiring, luminous depiction of ancient Jewish cosmology for Psalm 8:3, presented with profound depth and ethereal glow. The central feature is a vast, shimmering, domed firmament (raqia), appearing as a translucent, opalescent boundary stretching across the scene, separating realms. Above this firmament, immense, glowing celestial waters swirl with bioluminescent currents of deep blues, purples, and greens, illuminated by an unseen, brilliant divine light emanating from the highest heavens. Large, radiant stars and a luminous crescent moon are not distant objects, but rather appear as integral, internally glowing bioluminescent entities set within the shimmering surface of the firmament, their light subtly pulsing. Below, hints of foundational earth and the "waters below" are visible, also touched by soft, ethereal glows. The entire scene is alive with vibrant, jewel-toned celestial colors and a sense of boundless, mystical energy. Focus on the layered, translucent quality of the firmament, the dynamic, living glow of the bioluminescent waters and embedded celestial bodies, and an overwhelming sense of ancient, sacred wonder and divine power.
A triptych set of three drawings, continuous scene flowing left to right, left panel shows a palomino horse in the foreground on the far left side of the scene walking down a grassy slope toward a reflective teal-blue river in the Scottish Highlands with rocks and ferns around its hooves. Center panel continues the same landscape as the horse now appears in the midground at the center of the scene standing at the river’s edge drinking from the reflective water beside ancient moss-covered stone ruins. Right panel continues the scene as the horse appears far away in the distance on the far right side of the scene following the riverbank toward steep mist-covered mountains with dramatic sunlight breaking through the clouds, unified natural palette of greens golds and reflective teal blues, consistent cinematic lighting, shared horizon line, smoothf uninterrupted left-to-right visual flow with no panel separation.
Seamless triptych artwork with no dividing lines or borders, continuous scene flowing left to right, left panel shows a palomino horse in the foreground on the far left side of the scene walking down a grassy slope toward a reflective teal-blue river in the Scottish Highlands with rocks and ferns around its hooves, center panel continues the same landscape as the horse now appears in the midground at the center of the scene standing at the river’s edge drinking from the reflective water beside ancient moss-covered stone ruins, right panel continues the scene as the horse appears far away in the distance on the far right side of the scene following the riverbank toward steep mist-covered mountains with dramatic sunlight breaking through the clouds, unified natural palette of greens golds and reflective teal blues, consistent cinematic lighting, shared horizon line, smooth uninterrupted left-to-right visual flow with no panel separation.
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
a tree in nature
house with front view
bicyle resting against a wall
still life with everyday objects
still life arrangement of fruits and flowers
Meme-inspired fine art piece in the art style of Post-Internet Art --v 6.1
physical car concept in the art style of lowbrow art --v 6.1
physical car concept in the art style of lowbrow art --v 6.1