A Poster Of A Woman With Dreadlocks On Her Head Art

house with front view
still life with everyday objects
wide landscape with natural scenery
He setteth an end to darkness, and searcheth out all perfection: the stones of darkness, and the shadow of death. From Job 28:3
He setteth an end to darkness, and searcheth out all perfection: the stones of darkness, and the shadow of death. From Job 28:3
a woman standing in front of a colorful waterfall
· À savoir : · L’Allemagne lance une grande attaque au printemps 1918. · Ils ont besoin de jeunes soldats en urgence. · Ils promettent une victoire rapide. 5. Choix des symboles pour mon affiche · Ce que je vais mettre : · Un aigle noir (symbole de l’Empire). · Un jeune homme qui passe de civil à soldat. · Un ciel orageux ou un champ de bataille en arrière-plan. · Pas de couleurs joyeuses : surtout noir, blanc, rouge. 6. Croquis et réalisation à la main · Titre : OFFENSIVE DU KAISER – 1918 . En gros, en rouge, style ancien ou gothique. · Image principale : Un jeune regarde un aigle énorme qui plane sur des tranchées. · Texte d’accroche : Dein Vaterland braucht DICH. JETZT ! (Ta patrie a besoin de TOI. MAINTENANT !) · Texte secondaire : Melde Dich freiwillig. Ehre, Pflicht, Sieg. (Engage-toi volontaire. Honneur, Devoir, Victoire.) · Infos pratiques : Freiwilligenannahme Berlin, Nürnberger Str. 70-71. 5 Mk. tägliche Zulage. Freie Ausrüstung. · En bas : IMPERIALE DRUCKEREI · BERLIN · 1918 Style graphique : · Noir et blanc + touches de rouge. · Dessin sérieux, pas de déco inutile Texte
bicyle resting against a wall
house with front view
portrait of a person with expressive eyes
Crimson Silhouette Style Transfer Example
Crimson Silhouette Style Transfer Example
animal standing in natural pose
house with front view
First century Palestine. Jesus sits on a rock on a hillside teaching a large group of His disciples. The Sermon on the Mount. Jesus wears a plain robe like most ordinary men. Jesus' face is kind, but intense, as He teaches. The other people are mostly peasants, farmers, and tradesmen. There are also women present, wearing plain, everyday clothing. Some couples have also brought their children. The Sea of Galilee shines in the far distance.
First century Palestine. Jesus sits on a rock on a hillside teaching a large group of His disciples. The Sermon on the Mount. Jesus wears a plain robe like most ordinary men. Jesus' face is kind, but intense, as He teaches. The other people are mostly peasants, farmers, and tradesmen. There are also women present, wearing plain, everyday clothing. Some couples have also brought their children. The Sea of Galilee shines in the far distance.
a painting of a woman with a sword and armor
a woman in a black and white dress holding a camera
a painting of a woman in a tank top
He (God) setteth an end to darkness, and searcheth out all perfection: the stones of darkness, and the shadow of death. From Job 28:3
a drawing of a woman sitting on the ground
Graffiti bear vinyl figure
Propaganda Poster Design Style Transfer Example
a tree in nature
a tree in nature
portrait of two people together
Vintage Art Nouveau Lithograph Style, Highly Decorative Borders, Rich Earth Tones and Gold Leaf. A vertically split "before and after" composition illustrating the classic fable of "The Wind and the Sun." The Left Side (The Wind's Force): A personified North Wind, depicted as a swirling, ethereal figure made of cold blue and silver clouds with puffed cheeks, blows a jagged, visible blast of air downward. Below, a traveler on a dusty road is hunched over, his face strained, gripping his heavy woolen coat tightly around his chest as the gale whips his hair and sends autumn leaves flying in a chaotic spiral. The colors are cool, muted, and turbulent. The Right Side (The Sun's Warmth): A personified Sun, depicted as a serene, radiant golden face surrounded by a massive, ornate circular halo of sunbeams, looks down with a gentle smile. Below, the same traveler is standing tall and relaxed on the path. His coat is draped loosely over one arm, his shirt collar is open, and he is wiping a bead of sweat from his forehead. The landscape around him is bathed in warm gold and vibrant greens, with tiny flowers blooming at his feet. The Framing: The two scenes are separated by an elegant, winding vine border. The overall mood shifts from the frantic, cold energy on the left to the peaceful, overwhelming warmth on the right.
A grizzly bear on the edge of a forest on a mountain, overlooking a beautiful partly cloudy sky. Proverbs 17:12 KJV Let a bear robbed of her whelps meet a man, rather than a fool in his folly.
A grizzly bear on the edge of a forest on a mountain, overlooking a beautiful partly cloudy sky. Proverbs 17:12 KJV Let a bear robbed of her whelps meet a man, rather than a fool in his folly.
a black and white photo of a woman wearing a scarf
portrait of two people together
An incredibly detailed and profound scene depicting the Vision of the Dry Bones from Ezekiel 37. The immediate foreground features a stark, highly detailed close-up of a single ancient human skull, its empty eye sockets gazing out, perfectly rendered with realistic bone texture. Beyond this skull, stretching into the mid-ground, a vast, desolate valley is entirely carpeted with an immense, sprawling expanse of countless other ancient, stark white human bones and skulls. A powerful, divine wind (ruach), emanating an ethereal, sacred glow, swirls violently through this boneyard. This divine energy causes the bones to dramatically rattle, shift, and miraculously knit together, forming complete skeletons. Further in the background, some of these skeletons have already begun to rapidly form tendons, flesh, and skin, starting to rise as part of a nascent, colossal army. The sky above is dramatic and ominous, with streaks of divine light breaking through thick clouds. The overall mood is one of overwhelming desolation, followed by the initial, awe-inspiring moments of miraculous transformation and the promise of life."
animal standing in natural pose
Propaganda Poster Design Style Transfer Example
a drawing of a woman with long hair
Noble woman with landscape
Hungry chef with giant rice bowl
a painting of a woman in a red cape
bicyle resting against a wall
portrait of two people together
A massive, solid metal USSR emblem glows harshly in red and gold, radiating intense, blinding light. The emblem is firmly pressed down onto the back of a large, dark eagle, which is clearly pinned and crushed beneath its weight. The eagle’s wings are forcibly flattened and bent outward, feathers distorted, body warped under the relentless pressure. Its legs and torso are pressed into the ground, unable to move, showing literal physical force. The emblem dominates the composition, casting sharp, dramatic shadows across the dark eagle. The scene is rendered in bold, graphic socialist propaganda poster style, with high-contrast colors, simplified forms, exaggerated perspective, and stylized lighting. Harsh rays of light radiate from the emblem, emphasizing power and oppression. No abstract symbolism, no heroic balance, no floating elements — only a monumental emblem pressing down, physically immobilizing the eagle.
a group of three girls standing next to each other