Space Colony Art

house with front view
bicyle resting against a wall
urban street with city activity
animal standing in natural pose
still life with everyday objects
wide landscape with natural scenery
urban street with city activity
animal standing in natural pose
still life with everyday objects
wide landscape with natural scenery
house with front view
urban street with city activity
a tree in nature
bicyle resting against a wall
portrait of two people together
still life with everyday objects
wide landscape with natural scenery
serene landscape with mountains and water
portrait of a person with expressive eyes
serene landscape with mountains and water
portrait of a person with expressive eyes
still life arrangement of fruits and flowers
still life arrangement of fruits and flowers
portrait of a person with expressive eyes
still life arrangement of fruits and flowers
serene landscape with mountains and water
still life arrangement of fruits and flowers
serene landscape with mountains and water
portrait of a person with expressive eyes
 in the style of M.C. Escher, an array of endless staircases of impossible loops and bi-directional pathways, spiraling through a giant tree, Cinematic vibrant reflective jewel-toned colors, black background
Now, we’ll all have our time on the rapid
And we may end together, alone,
going ‘round and about in an eddy
bruised and broken and soaked to the bone.
But the eddy keeps silent the wild current’s call
alongside those now grateful captains and all
we are given reprieve from a death at the fall
as we move to and fro’ in the spin.
We stand safe, as the spin takes us in.
An outdoor scene on a street in town.  A White Mom and African-American Dad with their two Asian children are sitting at a sidewalk cafe.  The mood is warm and safe.  Everyone has a drink.  Mom and Dad are talking to the boy, who is making a fuss.  He is unhappy about something, and crying.  His sister is looking on.  Dad is about to say something.
So, you look at those captains and then at yourself
and you wonder: “Why them, and not me?”
As you paddle along in your pitiful state,
a canoe you hope no one will see.
But there’s just enough room for those trusted to you
for safe passage, provisions, and tare.
So, you keep to yourself, and you follow the shore,
making passage for those in your care.
First century Palestine.  Jesus sits on a rock on a hillside teaching a large group of His disciples.  The Sermon on the Mount.  Jesus wears a plain robe like most ordinary men.  Jesus' face is kind, but intense, as He teaches. The other people are mostly peasants, farmers, and tradesmen.  There are also women present, wearing plain, everyday clothing.  Some couples have also brought their children.  The Sea of Galilee shines in the far distance.
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
An armadillo wearing a chef's hat and apron, making enchiladas at a rustic desert cafe called "Tumbleweed Cafe - Armadillo's Famous Enchiladas." The cafe is a small wooden shack with a corrugated metal roof, adorned with tumbleweeds. In the background, there's a desert landscape and distant mountains under a warm, late afternoon sky. A roadrunner is nearby, curiously watching the armadillo cook
Byzantine Religious Art Style Transfer Example
bicyle resting against a wall
urban street with city activity
wide landscape with natural scenery
serene landscape with mountains and water