Self Sufficient Earth Home Art

Self-sufficient earth home
Beach house living room
Childhood home remembered
Home glyph icon
A person working from home
Modern kitchen of tomorrow
Renaissance Painting, a noble woman of Proverbs 31, standing at the window of a warm, well-lit stone home clothed richly in scarlet. She looks out at a heavy, beautiful snowstorm with a look of peace and calm resolve. Her children and husband are in the foreground, richly and completely clothed in scarlet wool. Focus on the detailed texture of the scarlet fabric, the warm contrast of the interior light against the cold blue snow outside, and a majestic, dignified atmosphere.
It is better to dwell in the corner of the housetop, than with a brawling woman and in a wide house.
Volume 1 – Chapter 1: “Running Away” Story Points: Ji Hun is bored and unhappy with his life in the band “Forever.” Inner thoughts reveal his frustration and desire to escape. He decides to run away; changes his appearance with a ginger curly wig and glasses to hide his identity. Ji Hun sneaks out, but security guards notice him and start chasing him. While running, he accidentally bumps into Min Joon, a girl with long curly black hair, wearing a hoodie and baggy jeans. They fall on the ground. Min Joon helps him up and insists on taking him to her home to relax. She offers him tea and biscuits; they start talking. Ji Hun lies and says his name is “Jin” and that he is an accountant. He notices posters of his band “Forever” in her room and realizes she is a fan. Min Joon praises Ji Hun’s voice, making him shy. Ji Hun talks about never enjoying life; Min Joon promises to teach him how to enjoy life. Ji Hun hesitates, worried about being recognized, but she reassures him. He agrees to go with her. Min Joon prepares to take him outside, setting up the transition to Chapter 2 (car ride and amusement park). Page/Panel Flow Suggestions: Pages 1–3: Ji Hun’s frustration, morning in the band dorm, decision to escape. Pages 4–5: Ji Hun changing disguise. Pages 6–8: Running and being chased by security guards. Pages 9–12: Collision with Min Joon, first meeting. Pages 13–16: Min Joon taking him home, tea and biscuits scene. Pages 17–20: Conversation about Ji Hun’s unhappiness, Min Joon promising to show him joy.
Self Portrait
I have a little shadow that goes in and out with me, And what can be the use of him is more than I can see. He is very, very like me from the heels up to the head; And I see him jump before me, when I jump into my bed. The funniest thing about him is the way he likes to grow— Not at all like proper children, which is always very slow; For he sometimes shoots up taller like an india-rubber ball, And he sometimes goes so little that there’s none of him at all. He hasn’t got a notion of how children ought to play, And can only make a fool of me in every sort of way. He stays so close behind me, he’s a coward you can see; I’d think shame to stick to nursie as that shadow sticks to me! One morning, very early, before the sun was up, I rose and found the shining dew on every buttercup; But my lazy little shadow, like an arrant sleepy-head, Had stayed at home behind me and was fast asleep in bed.
Emotional self-portrait
Personal cosmos map
Bipolar self-portrait
Fatuous
A cosmic nebula
Fatuous
Court dancers
New York City
Controversial self-portrait challenging social norms in the style of Young British Artists --v 6.1
Self-portrait emphasizing authenticity and emotional truth in the art style of Stuckism --v 6.1
Self-portrait emphasizing authenticity and emotional truth in the art style of Stuckism --v 6.1
Self-portrait emphasizing authenticity and emotional truth in the art style of Stuckism --v 6.1
Self-portrait with simplified features and bright colors in the art style of Naive Art --v 6.1
Self-portrait with simplified features and bright colors in the art style of Naive Art --v 6.1
Self-portrait with raw, gestural brushwork in the art style of Neo-Expressionism --v 6.1
Self-portrait with simplified features and bright colors in the art style of Naive Art --v 6.1
Conceptual self-portrait without figurative elements in the art style of Conceptual Art --v 6.1
Self-portrait with strong outlines and symbolic colors in the art style of Post-Impressionism --v 6.1
Self-portrait with strong outlines and symbolic colors in the art style of Post-Impressionism --v 6.1
Self-portrait with strong outlines and symbolic colors in the art style of Post-Impressionism --v 6.1
Self-portrait with strong outlines and symbolic colors in the art style of Post-Impressionism --v 6.1
Surreal self-portrait with distorted proportions in the art style of Expressionism --v 6.1
Surreal self-portrait with distorted proportions in the art style of Expressionism --v 6.1
Self-portrait with expressive brushwork and psychological intensity in the art style of Neo-Expressionism --v 6.1
Self-portrait with expressive brushwork and psychological intensity in the art style of Neo-Expressionism --v 6.1
Self-portrait with expressive brushwork and psychological intensity in the art style of Neo-Expressionism --v 6.1
Self-portrait with expressive brushwork and psychological intensity in the art style of Neo-Expressionism --v 6.1
Controversial self-portrait challenging social norms in the style of Young British Artists --v 6.1
Controversial self-portrait challenging social norms in the style of Young British Artists --v 6.1
Self-portrait emphasizing authenticity and emotional truth in the art style of Stuckism --v 6.1
Controversial self-portrait challenging social norms in the style of Young British Artists --v 6.1