A Painting Of Two Men Fighting With A Horned Bull Art

a painting of a man in armor holding an axe
serene landscape with mountains and water
The monster (Mt. San Gorgonio) rises in the North, 	all hoary-frost above behemoth shoulders.  Snake-like clouds adorning her, I crane my neck, Gaze fixed past the big white house toward uplifted boulders.
And at the South, like his namesake martyr, Hyacinth (Mt. San Jacinto) has lost his head in cloud.  Burned bones against a blue backdrop
	he wears that legacy proud.  Between the two, another sunrise gleams and beams of brilliant, white-hot day flash forth:  Accentuate Sonora’s west extremes, and last night’s moon forgot to go away.
animal standing in natural pose
animal standing in natural pose
animal standing in natural pose
animal standing in natural pose
a painting of a group of people standing in front of a large red object
a painting of a spartan holding a sword
still life arrangement of fruits and flowers
still life arrangement of fruits and flowers
still life arrangement of fruits and flowers
still life arrangement of fruits and flowers
still life arrangement of fruits and flowers
Large-scale painting exploring the intersection of abstraction and commodity in the art style of Neo-Geo --v 6.1
Large-scale painting exploring the intersection of abstraction and commodity in the art style of Neo-Geo --v 6.1
wide landscape with natural scenery
Two contrasting color fields divided by a diagonal line in the art style of Minimalism --v 6.1
Two contrasting color fields divided by a diagonal line in the art style of Minimalism --v 6.1
a painting of a man with a boxing glove
a painting of a man with a knife in his hand
a painting of a mountain range with colorful lines
wide landscape with natural scenery
a painting of a woman with earrings on her head
Painting incorporating elements of photography and digital media in the art style of New European Painting --v 6.1
Painting incorporating elements of photography and digital media in the art style of New European Painting --v 6.1
A high-resolution, photorealistic cinematic photograph captures the intense, desperate interaction from Genesis 32:29, set on a rugged, muddy river plain at the precise break of day (sunrise). The two powerful male figures are in a tense, deadlock, illuminated by dramatic chiaroscuro lighting. Jacob, a weathered, muscular patriarch, is physically clinging to the other figure with white-knuckled desperation, his left hand burying itself deep, grasping and twisting a thick portion of the 'man's' luminous tunic, refusing to let go, his face contorted in pleading intensity. The 'Man' (a powerful male Christophany, not a female angel) stands composed and towering, looking down with a compassionate yet regal expression, one hand raised to bless Jacob, while allowing Jacob to hold his luminous clothing. Long shadows are cast, and intricate leather, woven fabric, sweat, and the 'man's' luminous texture are highly detailed. No text or letters are visible on screen.
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
serene landscape with mountains and water
First century Palestine.  Jesus sits on a rock on a hillside teaching a large group of His disciples.  The Sermon on the Mount.  Jesus wears a plain robe like most ordinary men.  Jesus' face is kind, but intense, as He teaches. The other people are mostly peasants, farmers, and tradesmen.  There are also women present, wearing plain, everyday clothing.  Some couples have also brought their children.  The Sea of Galilee shines in the far distance.
a painting of a colorful swirl with bubbles