A Painting Of A Skeleton Holding A Book Art

Fancy text:  Jesus said, Before Abraham was born, I AM
Emotional tempest
Arnold Schwarzenegger, extreme caricature, enormously tall crew cut hair, massive muscles, tiny lower body, exaggerated robotic expression, big head on tiny body, thick crisp black outlines, vibrant saturated colors, clean comic illustration style
Looking from the street.  A 10 year old chinese girl watches as children crowd through the entrance gate at a private school in Kerinchi neighborhood, Kuala Lumpur.  Several teachers are also there.
At a private school in Kuala Lumpur, 10 year old Wing Sun and his friends play a game of soccer in the schoolyard.  The school's main building is visible and some teachers are looking on.  Some schoolgirls are standing nearby.
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
3 men and 2 women sitting around a table with study materials and cups of tea and coffee studying their Bible together writing in journals and using iPads and laptops.
A 10 year old asian boy with his grandmother standing in front of the subway station in Kuala Lumpur.  Getting ready to ride the train to school.
Monochrome Gradient Minimalism Art Style Style Transfer Example
urban street with city activity
portrait of two people together
animal standing in natural pose
still life with everyday objects
serene landscape with mountains and water
Morning scene. A 10 year old chinese girl and boy stand together talking in the schoolyard at a private school in Kerinchi neighborhood, Kuala Lumpur.  Several teachers are also there.  A circle of other children are standing off to the side playing games and comparing Pokemon cards, etc.
A young couple with two children stand in front of a wall-sized world map, facing the map.  The young father is interested in Africa.  The young mother is wearing a backpack and one of the children is a baby that she's carrying in her arms.
3 men and 2 women sit around a round table discussing things.  Bibles, journals, iPads and laptops cups of coffee and tea are on the table.  A window is behind them and light streams down.
Morning scene. A 10 year old chinese boy enters a train car at the platform on the MRT in Kuala Lumpur.  We see him from the back.  Other passengers are inside the train car and also waiting on the platform.
Oil Painting Art Style, a lively scene showcasing multiple vibrant Quaker Parrots (Monk Parakeets) in crisp detail, actively perched, interacting, and flying around their extraordinary communal stick nest. The nest, a massive and intricate structure woven from countless twigs, serves as a striking backdrop, resembling a complex, multi-chambered apartment building for birds high within a large, leafy tree. The focus is primarily on the parrots themselves: their distinctive bright green plumage, grey chests, and intelligent, curious eyes are rendered with exquisite detail. Several parrots are clearly visible, their individual feathers, beaks, and expressions highlighted. The setting is bright and lively, illuminated by clear, natural sunlight, casting detailed shadows. Focus on the vibrant colors and fine feather details of the Quaker Parrots, their lively activity, and the impressive scale and texture of their communal stick nest as an integral part of their environment.
First century Palestine.  An evening scene on a rooftop in Bethlehem.  The summer air is warm and the evening light is soft.  Jesus, wearing ordinary clothing like most men wear, sits at a table across from a Pharisee named Nicodemus who has come to speak to the Master privately.  One or two servers stand nearby.  There is a clay pitcher and 2 drinking cups on the table.  The town is visible in the background.
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
2 young couples with children stand in front of a wall-sized world map, facing the map.  One young father is talking to the other and they are interested in Africa.  One young mother is wearing a backpack and the other has a baby that she's carrying in her arms.  An older couple stand nearby
At his Grandmother's house in Penang, Wing Sun is seated at a table in the dining room, with the kitchen in view.  Grandmother is sitting at the table telling Wing Sun a story from the Bible.  The house is cozy, and it's raining outside.  There is an air of suspense, but Wing Sun feels safe and secure.
Oil Painting Art Style, a bustling scene featuring several vibrant Quaker Parrots (also known as Monk Parakeets) perched on and around their extraordinary communal nest. The nest is a massive, intricate structure built entirely from countless interwoven sticks and twigs, resembling a complex, multi-chambered apartment building for birds, integrated high within the sturdy branches of a large, leafy tree. Each visible entrance or chamber suggests multiple pairs of parrots coexisting. The Quaker Parrots themselves, with their distinctive green plumage, grey chests, and bright eyes, are actively flying to and from, bringing more sticks, or observing their bustling community. The setting is bright and lively, illuminated by clear, natural sunlight, casting detailed shadows and highlighting the texture of the sticks and feathers. Focus on the architectural complexity and scale of the stick nest, the industrious activity of the parrots, and the vibrant green and grey colors of the birds against the natural backdrop.
First century Palestine.  Jesus walks away from the camera down a road that goes through town with several of His disciples.   Jesus wears a plain robe like most ordinary men.  The other people are dressed like peasants, farmers, and tradesmen.  There are also women in the group, wearing plain, everyday clothing.  Some children are playing near the roadside.  The Sea of Galilee shines in the far distance.
At the bustling Kuala Lumpur airport, Wing-Sun and his Mother say farewell to his father before he leaves for a six‐week business trip to London.  We see Wing Sun and his mother from the back, as Father stands on the escalator going up to his departure gate, and turns toward us to wave goodbye.  Many other passengers and children are standing around.  The airport is modern and well lit.
Inside a large office building in London, on the 5th floor, Wing Sun's father, a Chinese Malaysian man in his 30s, speaks to his counterpart in the company, and English man, about business.  Other workers are seated at their desks and standing at a copy machine.  There are some Black people, but mostly British.  One whole wall of the room is glass and we can see something of London outside.
Father and Grandmother with Siu Zi leaving their home in a Guangzhou street in the dark of night.  There is an air of secrecy. Siu Zi clutches her small bag, its contents little more than a few treasured keepsakes and faded photographs. Her father’s reassuring hand on her shoulder, and the soft presence of her grandmother at his side, give her the courage to move forward. A taxi waits down the street to take them to the train.
Unstressed vowels weakened to schwa.
The final -e in words like name became silent.
Endings like -ed and -es lost their full vowel sound, making English more rhythmically stress-timed.
6. The wh sound stayed distinct longer.
Which and witch sounded different—which started with a breathy hw. Today the pronunciation is similar but the difference remains in some dialects. create a picture withoud words
The San Gorgonio Pass, Mt. San Gorgonio) rises in the North, all hoary-frost and granite.  Snake-like clouds adorning her peak, I gaze past the big white house toward her uplifted boulders.
And at the South, Mt. San Jacinto has lost his head in cloud.  Burned bones against a blue sky backdrop.  Between the two, another sunrise gleams and beams of brilliant, white-hot day flash forth:  They accentuate the Sonora desert’s west extreme, and last night’s moon forgot to go away.
At her Mother's house in Penang, Wing Sun's mother, a beautiful chinese woman in her 30s, is standing in her bedroom looking out the window at night.  We see her from a quarter view inside the room.  She is pensive and an air of tension fills the room as she remembers growing up in this house.  Her hair is long and black, and she's wearing her housecoat.  A lantern gives low light inside the room.  It's raining outside.
At his Grandmother's house in Penang, Wing Sun is lying down on a futon in his bedroom, covered up with a beautiful lightweight quilt Grandma made.  Outside his room the rain is coming down.  In Penang, every corner of the old town—every whisper of the wind through ancient trees—seems to echo with promises of renewal and love. And as the rain softens outside, Wing-Sun closes his eyes with the comforting knowledge that every detour, every farewell, is simply a step toward a new beginning.  A lantern gives soft light to the room, and all is quiet.
A sweeping landscape photograph of a weathered gnome adventurer riding atop a massive grizzly bear. The gnome, wearing a moss-green tunic, leather armor, and a tall pointed hat, holds onto a braided rope harness. The bear is huge, shaggy, and powerful, walking along a rocky mountain path. In the background, there are towering peaks and a setting sun casting golden light across a vast valley. The scale difference between the tiny gnome and the giant bear is emphasized. Film grain, highly detailed.
Golden Age Storybook Illustration Style, Rich Watercolor and Ink, Warm Sun-Drenched Lighting. A dynamic scene capturing a moment of desperate effort in a lush, overgrown vineyard.

    The Action (The Fox): A lithe, reddish-orange fox is caught in mid-air at the very apex of a maximum vertical leap. Its body is stretched precariously thin, hind legs kicking the air, and front paws strained upward. Its jaws are snapping wildly just inches below the target, eyes wide with intense, watering desire and frustration. The fox looks slightly bedraggled, suggesting this is not the first jump.

    The Prize (The Grapes): Hanging tantalizingly just out of reach from a thick, gnarled old vine is a magnificent, heavy cluster of deep purple, plump grapes. They are rendered to look incredibly juicy, dusted with natural bloom and catching the sunlight so they appear almost glowing and irresistible.

    The Setting: The afternoon sun filters through broad green grape leaves, casting dappled light on the dusty ground below, which shows disturbed earth from previous failed attempts. The overall mood is one of hot, tantalizing frustration.
a man in a tank top holding his hands out
Oil Painting Art Style, a breathtakingly majestic and regal portrait of "The Queen in Gold of Ophir," inspired by Psalm 45. The Queen stands with impeccable grace and royal dignity, her posture radiating quiet power. She is adorned in an exquisitely elaborate gown woven entirely from the finest, purest gold of Ophir, shimmering with incredible richness. Her attire is intricately embellished with countless precious jewels—sapphires, rubies, and emeralds—each catching the light. A delicate yet regal golden crown rests upon her head, complementing her serene and noble expression. The setting is a grand, opulent royal palace chamber, with rich tapestries and polished marble, bathed in warm, golden, ambient light that dramatically illuminates her and her lavish garments. Focus on the unparalleled brilliance and texture of her golden gown, the sparkle of her jewels, her majestic presence, and the luxurious, sacred atmosphere befitting a queen in God's presence.
Oil Painting Art Style, a tender and protective scene featuring a small, close-knit flock of magnificent Blue Hyacinth Macaws gathering for roosting at dusk. On a sturdy branch of a tall palm tree within an open woodland, a mother Hyacinth Macaw is prominently depicted, gently extending a wing to cover a smaller, younger macaw nestled securely beneath her. The macaws, with their incredibly vibrant, deep blue plumage and striking yellow eye rings, are nestled closely together, their bodies positioned to evoke a powerful sense of being 'covered' and finding 'refuge' under a protective wing. The soft, fading twilight glow illuminates their feathers with a deep, iridescent sheen and casts gentle, lengthening shadows. The surrounding natural environment is rendered in muted, dusky tones of green and purple, creating a tranquil atmosphere of safety and secure communal rest. Focus on the exquisite detail of the macaws' feathers and tender facial expressions, particularly the mother and young, the profound warmth and security of their huddle, and the peaceful, protective mood inspired by their collective refuge.
First century Palestine.  Mid-morning in a rural area.  The sun is warm and the atmosphere is positive.  Jesus and His disciples walk along a country road that goes to Bethany. There are some trees shading part of the road ahead, and cultivated fields on either side of the road.  Jesus, wears ordinary clothing like most men, and He’s talking to His disciples as the walk along.  The disciples are listening intently to Jesus, and His face is kind, but intense.  A farm house sits off to one side, and the town is visible in the distance.
First century Palestine.  Jesus walks away from the camera along a road that goes through town with several of His disciples.   Jesus wears a plain robe like most ordinary men.  The other people are dressed like peasants, farmers, and tradesmen.  There are also women in the group, wearing plain, everyday clothing.  Some children are playing near the roadside.  Merchants are selling their goods in booths along the road.  There are houses along the road also.  The road goes upward toward the Temple in the far distance.
At his Grandmother's house in Penang, while the tropical rain taps softly against the window, Wing Sun, Mother and Grandmother gather in the cozy living room. The room glows with the soft light of an oil lamp, and the walls are adorned with faded photographs and delicate calligraphy. Grandmother’s eyes sparkle as she begins to speak—a voice that carries both the wisdom of her years and the tender care of someone who’s seen many seasons change.  Wing Sun is pensive with anticipation.  What will she say?
Inside an informal church in London.  Wing Sun's father has been invited to attend with his counterpart from the office.  He doesn't have anything else to do on Sunday morning, so he goes along.  we are standing in the back of the room.  There are many people of different ethnicities, the Pastor is standing up front alongside a worship leader with a guitar, and a young black woman, facing the audience.  The atmosphere is warm and welcoming, but Wing Sun's father feels a little uncomfortable.