A Painting Of A Man In A Tank Top Art

Benjamin shall ravin as a wolf: in the morning he shall devour the prey, and at night he shall divide the spoil.
(Genesis 49:27 KJV)A powerful and dynamic illustration of a figure embodying the Tribe of Benjamin, inspired by the 'ravenous wolf' prophecy. The figure should be an intensely focused, battle-hardened warrior, perhaps with a stylized wolf motif on his armor or shield.The central figure should display the ferocity of a wolf in motion, but the discipline of a true leader in rest. High-detail fantasy illustration, cinematic lighting, tribal warrior aesthetic, emphasis on the duality of conquest and provision.
A profound and epic scene depicting the Vision of the Dry Bones from Ezekiel 37. In a desolate, vast valley, countless dry human bones are scattered, stark white and ancient. A powerful, divine wind (ruach) swirls through the valley, imbued with a sacred, ethereal glow, causing the bones to rattle and miraculously knit together. Tendons, flesh, and skin rapidly form over the skeletal structures, transforming them into fully-formed human figures. As the divine breath enters, the figures rise, not as individuals, but as a colossal, awe-inspiring army standing upright, gazing forward with renewed life and purpose. The sky above is dramatic, perhaps with stormy clouds breaking to reveal a divine light. The overall mood is one of miraculous resurrection, immense power, and hopeful restoration."
A young red-haired girl in whimsical adventurer gear, bravely climbing a colossal, mountain-sized candy corn. The candy corn mountain has realistic geological features, with crags and steep slopes, made entirely of candy corn, and integrated along its ridges are giant, sculpted chocolate bars. Shimmering, multi-colored pixie stick dust rains down around her like magical snowfall. Determined, joyful expression. Bright, fantastical sky. Hyperrealistic digital painting, fantasy illustration, surreal landscape, epic detailed, cinematic lighting, food art photography." The candy corn is a mountain landscape
a tree in nature
a tree in nature
"Uriel, the Angel of Light and Wisdom from the Book of Enoch, a majestic celestial guide, standing amidst swirling cosmic dust and ethereal nebulae. His form radiates intense, pure light. He gestures towards a hidden cosmic mechanism, revealing ancient knowledge, holding a flaming orb of pure light. Robes of deep sapphire blue and radiant gold, adorned with ancient symbols. Serene, knowing face, eyes glimmering with cosmic insight. Behind him, celestial gears and the fiery essence of the sun. Hyperrealistic digital painting, divine luminosity, epic detailed, cinematic lighting, cosmic gradients."
still life arrangement of fruits and flowers
a tree in nature
a tree in nature
a tree in nature
urban street with city activity
animal standing in natural pose
Set of mugs with ash glaze
a tree in nature
bicyle resting against a wall
This is a great idea. For this version, let's lean even further into that "Elven High-Fantasy" aesthetic you like, but ground it in their specific Biblical legacy as the "hewers of wood and drawers of water" for the Tabernacle.

In this prompt, we will portray their service not as a lowly task, but as a display of superhuman strength and grace—showing that even in their "servant" role, their "giant" nature and ancient wisdom remained visible.
Written Prompt: The Sage-Giants of Gibeon

    Style: Cinematic High-Fantasy, 8k Resolution, Epic Scale. A blend of The Lord of the Rings aesthetic with Ancient Near Eastern Bronze Age history.

    The Subject: A group of three Gibeonite men, standing at a staggering height of 7.5 feet. They possess the ethereal, noble beauty of High Elves—sharp, intelligent Semitic features, high cheekbones, and long, dark hair intricately braided with silver and lapis lazuli.

    The Stature & Grace: They are lithe and muscular, moving with a fluid grace that defies their size. Despite their "giant" classification, they are elegant, not monstrous.

    The Role (Hewers and Drawers): > * One Gibeonite is seen effortlessly carrying a massive, ornate stone water jar on one shoulder that would require four normal men to lift.

        Another holds a bundle of enormous cedar logs, his posture straight and regal, showing no sign of strain.

    The Attire: They wear a mixture of their new culture and their old heritage. Fine linen tunics in ivory and deep blue are accented by ornate bronze bracers etched with ancient Canaanite geometry. Their clothing is weathered with the dust of the road but still looks "high-born."

    The Setting: They are standing on a high limestone ridge overlooking the ancient city of Gibeon. In the background, the Tabernacle's smoke rises into a golden sunset sky. The architecture around them consists of massive, "cyclopean" stone blocks that match their scale.

    Lighting & Atmosphere: Dramatic "God-rays" of sunlight pierce through the clouds, catching the metallic glint of their jewelry and the profound, wise expressions in their eyes. The mood is one of "Dignity in Service" and "Ancient Wisdom."
“Know ye not, that so many of us as were baptized into Jesus Christ were baptized into his death? Therefore we are buried with him by baptism into death: that like as Christ was raised up from the dead by the glory of the Father, even so we also should walk in newness of life.” (Romans 6:3-4, KJV)
In days to come I stood amazed, walking through that forest, at the blazing symphony of color it brought forth, seemingly just for me.  I grew to love my friend’s words in a new way, through the astounding beauty of the spectacle he knew was coming when he said them.  I was young then, and didn’t know I had many autumns ahead of me.
still life arrangement of fruits and flowers
a tree in nature
a tree in nature
Miniature horse wandering through a fantastical meadow of oversized tall wildflowers, soft morning light, delicate sparkles drifting in the air, intricate details, watercolor-dream mood, gentle movement in the mane and tail, expressive eyes, cinematic depth and color
serene landscape with mountains and water
Vintage Toy Art Style Transfer Example
Instructional piece for an impossible task in the art style of Conceptual Art --v 6.1
Personal cosmos map
A rainy city street at night, neon signs reflecting on wet pavement, umbrellas, glowing shop windows, cinematic atmosphere
portrait of two people together
urban street with city activity
a group of people standing next to each other
"Create a nostalgic and inviting image of a Waffle House restaurant from the 1960s or early 1970s. The focus should be on its distinct mid-century roadside architecture with a prominent, brightly lit "Waffle House" sign featuring its classic yellow and black logo. Show a few vintage cars from the era (e.g., a Ford Mustang, Chevrolet Chevelle, or a classic pickup truck) parked outside. The scene should be set at either dawn or dusk, with warm, inviting light spilling from the restaurant's windows, suggesting a cozy haven for weary travelers. Include subtle details like a classic street lamp or a glimpse of a highway in the background to emphasize its roadside location. The overall aesthetic should evoke a sense of Americana, comfort, and the timeless appeal of a familiar stop on a long journey."
Vintage Poster Design Style Transfer Example
Vintage Poster Design Style Transfer Example
house with front view
bicyle resting against a wall
portrait of two people together
portrait of a person with expressive eyes
1950s travel poster
bicyle resting against a wall
          6. Croquis et réalisation à la main

· Titre :
  OFFENSIVE DU KAISER – 1918
. En gros, en rouge, style ancien ou gothique.
· Image principale :
  Un jeune regarde un aigle énorme qui plane sur des tranchées.
· Texte d’accroche :
  Dein Vaterland braucht DICH. JETZT !
  (Ta patrie a besoin de TOI. MAINTENANT !)
· Texte secondaire :
  Melde Dich freiwillig. Ehre, Pflicht, Sieg.
  (Engage-toi volontaire. Honneur, Devoir, Victoire.)
· Infos pratiques :
  Freiwilligenannahme Berlin, Nürnberger Str. 70-71.   5 Mk. tägliche Zulage. Freie Ausrüstung.
· En bas :
  IMPERIALE DRUCKEREI · BERLIN · 1918


Style graphique :

· Noir et blanc + touches de rouge.
· Dessin sérieux, pas de déco inutile.
· texte court et percutant
Abandoned chair in misty forest
Abandoned chair in misty forest