A Painting Of A Man Holding A Knife Art

a painting of a man with his arms outstretched
a painting of a man holding his hand to his head
a painting of a man floating in the air
a painting of a man in armor holding a sword
a painting of a man in armor holding a lantern
a painting of a man in armor holding a sword
a painting of a man in armor holding a sword
a painting of a man in armor holding a sword
a painting of a man in armor holding a sword and shield
a painting of a man in armor holding a sword
a painting of a man in armor holding a bow and arrow
a painting of a man in armor holding a sword
a painting of a man in armor holding a sword
a painting of a man in a forest holding a sword
a painting of a man in armor holding an axe
a painting of a man in armor holding an axe
a painting of a man in armor holding an axe
a painting of a man in armor holding an axe
a painting of a man in armor holding two swords
A biblical scene of Moses anointing Aaron with oil, inspired by the Book of Exodus. Moses, an older man with a long white beard, is holding a golden goblet and pouring oil directly onto Aaron's uncovered head. Moses is not wearing glasses, and his hands do not touch Aaron's head. Aaron is a man in his 50s with a full beard, dressed in ornate priestly robes with a richly colored ephod and no head covering. The oil flows visibly onto Aaron's head, beard, and garments. The setting is a desert-like environment near the Tabernacle, with woven curtains in the background, illuminated by warm, divine light. The scene reflects a biblical atmosphere with historically accurate clothing and details.
Siu Zi is a 10 year old Chinese girl in Guangzhou. Late one humid evening, Siu Zi's father meets with a discreet man known simply as Mr. Chen. In a quiet corner of a small teahouse near the back alleys of Guangzhou, Mr. Chen explains, in careful whispers, how he can help the family obtain the documents they needed to leave the country safely. Other patrons are in the teahouse, and a waiter stands nearby, but nobody can hear what Mr. Chen is saying. It's safe to talk here.
Inside an informal church in Kuala Lumpur. Wing Sun and his father and mother, along with Siu Zi, his friend from school are there together. We are standing in the back of the room, and there are many more people than there were in the London church. There are people of different ethnicities, but mostly Chinese Malaysian. The Pastor, a Chinese man, is standing up front speaking to the congregation, facing them. The atmosphere is hot and sweaty, with ceiling fans running, but still welcoming, Wing Sun is happy that his family is together and also that his friend Siu Zi, who he has just learned is a Christian, can be there too.
a statue of a man holding a basketball ball
a drawing of a man holding a sword
a drawing of a man holding a ball
a statue of a man holding a ball
a statue of a man holding a sword
a drawing of a man holding a gun
a painting of a demon holding a sword and a lantern
a painting of a woman holding a sword
a painting of a skeleton holding a book
a painting of a demon holding a sword
a painting of a man sitting on the ground
a painting of a man in a kimono
a painting of a man standing in the water
a painting of a man with a sword
a painting of a man with a sword
a painting of a man in armor with lightning in the background
a man in a tank top holding out his hands
a painting of a man with his arms outstretched
a painting of a man and woman sitting next to each other
a painting of a man wearing a colorful hat