“To Restrain Her Is To Restrain The Wind Or To Grasp Oil In One's Right Hand.” (Proverbs 27:16, Esv) Art

Style: Cinematic Fantasy Portrait, Ancient Near Eastern aesthetic with a mystical, ethereal overlay. The look should feel like a rediscovered fresco brought to life, rich in texture and deep color. The Subject (Asonya): A woman of arresting, almost supernatural beauty belonging to a pre-flood civilization. She has a powerful, enigmatic presence. Her eyes are large, dark, and intensely knowing, rimmed heavily with kohl (antimony)—a cosmetic taught by the Watchers. Attire & Adornment (The Forbidden Knowledge): She is dressed not just in fine linen, but in adornments that hint at celestial instruction. Jewelry: She wears elaborate, heavy bracelets and necklaces made of hammered metals that gleam with an unusual iridescence, set with uncut, glowing gems that seem almost alive. Headpiece: A complex circlet of woven silver and dark stones rests on her long, flowing dark hair, reflecting the starlight. Action/Pose: She stands holding a polished obsidian mirror in one hand, gazing slightly off-camera with an expression that is both wise and burdened. Setting: She is standing on the balcony of a megalithic stone structure meant to observe the heavens. The background is a dramatic night sky filled with unfamiliar constellations and perhaps a faint, ethereal glow of an aurora, hinting at the presence of celestial beings. The overall atmosphere is one of ancient mystery and profound beauty.
Minimalist Abstract Art Style Style Transfer Example
a painting of a man holding two swords
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
a painting of a man with no shirt on
A picture of the Hebrew letter Dalet with the picture of a door, with the Passover blood on the door frame, and the modern Hebrew Dalet symbol, the number 4 and the name of the letter "Dalet" . With no other number or letter symbols included
still life arrangement of fruits and flowers
Masterpiece of Japanese fantasy illustration, ultra-detailed, refined high-end aesthetic, majestic horse as a Shōgatsu New Year symbol, complete and graceful form, body adorned with intricate traditional Japanese motifs inspired by kimono textiles and Edo-period patterns, including seigaiha waves, asanoha geometry, and subtle sakura accents, delicate gold leaf and fine metallic ink tracing contours, ultra-fine linework with hand-inked precision, standing against a minimal washi-paper background in soft ivory with muted crimson and ink-black accents, flowing mane and tail with elegant, elongated motion conveying calm strength and forward momentum, mid-shot, front-facing composition, balanced use of negative space, refined textile-like textures, quiet ceremonial atmosphere, 8K resolution, hyper-detailed yet painterly rendering, museum-quality illustration, subtle gold calligraphy text at top reading “2026 年 馬” with a smaller inscription “謹賀新年”, in the style of Japanese ink illustration blended with contemporary fantasy art, delicate line-art, restrained color palette, timeless and elegant
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
This day, though, I hiked another autumn wood. Eastern Europe ancient; overgrown. So thick the view was dark at just a few feet off the path. All red and yellow; orange and brown, a million trees, each one in blazing preparation for long, frozen winter. I cannot but recall my friend’s words, lasting long, though he did not, and the instant truth that follows. Looking upward at the fiery canopy, matched against the bright cerulean sky beyond, I embrace autumn! Winter surely comes one day, but spring beyond. I have a winter to prepare for, but it is not yet.
a painting of a man with a bow and arrow
a painting of a man holding a sword next to a dragon
portrait of a person with expressive eyes
still life arrangement of fruits and flowers
a girl sitting on a rock looking at the sea with a big ship with red sails on the horizon
A picture of the Hebrew letter Gimel including in the design a picture of a sandaled foot and the modern Hebrew Gimel symbol ג , the number 3 and the name of the letter "Gimel" .
urban street with city activity
bicyle resting against a wall
still life with everyday objects
wide landscape with natural scenery
serene landscape with mountains and water
Minimalist Poster Design Style Transfer Example
Minimalist Poster Design Style Transfer Example
urban street with city activity
still life with everyday objects
wide landscape with natural scenery
A picture of the Hebrew letter Alef including both the paleo symbol of the ox head "Ox, Strength, Leader" and modern א, Alef symbol, the number 1 and the name of the letter "Alef"
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
serene landscape with mountains and water
Tree in nature
portrait of a person with expressive eyes
Art Style: Analytical Cubism, avant-garde oil painting style reminiscent of Picasso and Braque. Subject: A dense, tangled thicket of Rhododendrons and Mountain Laurel bushes. Composition & Details: The entire natural scene is deconstructed into overlapping geometric planes, fractured shards, and intersecting angles. There are no curved lines; everything is rendered in cubes, cones, and trapezoids. The Rhododendrons: Large, showy flower trusses are broken into faceted crystalline structures of deep magenta, rose pink, and violet blocks, looking like explosions of colored quartz rather than soft petals. The Mountain Laurels: The smaller, intricate flowers are rendered as complex, repeating geometric star-patterns and angular cups in white and pale pink with distinct red polygonal markings. Foliage & Branches: The thick, leathery leaves are fragmented green triangles and parallelograms overlapping each other, creating a sense of depth without traditional perspective. The woody stems and branches are jagged, intersecting brown and grey cylinders that shatter across the frame. Color & Texture: A palette of muted earth tones—ochre, burnt umber, forest green, and slate grey—contrasted sharply with the jewel-toned facets of the flower colors. The finish should have a heavy, textured oil paint feel with visible palette knife marks and rough brushwork.
Art Style: Analytical Cubism, avant-garde oil painting style reminiscent of Picasso and Braque. Subject: A dense, tangled thicket of Rhododendrons and Mountain Laurel bushes. Composition & Details: The entire natural scene is deconstructed into overlapping geometric planes, fractured shards, and intersecting angles. There are no curved lines; everything is rendered in cubes, cones, and trapezoids. The Rhododendrons: Large, showy flower trusses are broken into faceted crystalline structures of deep magenta, rose pink, and violet blocks, looking like explosions of colored quartz rather than soft petals. The Mountain Laurels: The smaller, intricate flowers are rendered as complex, repeating geometric star-patterns and angular cups in white and pale pink with distinct red polygonal markings. Foliage & Branches: The thick, leathery leaves are fragmented green triangles and parallelograms overlapping each other, creating a sense of depth without traditional perspective. The woody stems and branches are jagged, intersecting brown and grey cylinders that shatter across the frame. Color & Texture: A palette of muted earth tones—ochre, burnt umber, forest green, and slate grey—contrasted sharply with the jewel-toned facets of the flower colors. The finish should have a heavy, textured oil paint feel with visible palette knife marks and rough brushwork.
a tree in nature
A koi pond seen from above, orange and white koi fish swimming among lily pads, clear water with subtle ripples, fallen cherry blossom petals floating on the surface, dappled sunlight
animal standing in natural pose
portrait of a person with expressive eyes
Baroque Oil Painting, Tenebrism Lighting, Rich Canvas Texture a heartwarming scene under a decorated Christmas tree. Two fluffy kittens, one a ginger tabby and the other a calico, are joyfully playing in a chaotic pile of discarded Christmas wrapping paper, ribbons, and bows. The ginger kitten is tangled in a long piece of shiny red and green paper, batting at a curled ribbon. The calico kitten is pouncing from inside a torn open cardboard gift box, surrounded by crumpled tissue paper. Torn pieces of colorful wrapping paper (gold foil, snowman patterns, stripes) and empty gift tags are scattered everywhere on a plush rug. The Christmas tree above them is glowing with warm fairy lights and decorated with traditional ornaments. The background is a cozy living room with a fireplace.
serene landscape with mountains and water
A statuesque woman in high-fashion 1930s glamour, strong Art Deco aesthetic. She wears a bias-cut evening gown of shimmering emerald green silk satin, featuring an elongated, sleek silhouette and a dramatic cowl neck. Her hair is styled in soft, sculpted finger waves. She wears long elegant gloves. The background is a sophisticated Art Deco interior with geometric patterns and polished chrome details, under dramatic lighting. Cinematic photography, classic Hollywood portraiture, hyperrealistic, vintage chic, elegant allure."
19th-Century Naturalistic Oil Painting Style, Rich Earth Tones, Rustic Textures and dramatic barn lighting. A tense, detailed scene inside an old, timber-framed stable at midday. The Antagonist (The Dog): Right in the center of a large, rough wooden manger overflowing with golden, dry hay, a scruffy, snarling terrier-mix dog is curled up aggressively. Its teeth are bared in a vicious snap, its hackles are raised, and its eyes are fixed selfishly on the intruders. The Victims (The Oxen): Two massive, powerful oxen with large yokes and gentle, hungry eyes are leaning over the manger rail. Their huge heads are close to the hay, but they are recoiling slightly from the snapping dog. One ox has drool dripping from its mouth, looking at the hay with desperation and confusion. The size difference between the massive heads of the oxen and the small, spiteful dog is emphasized. The Atmosphere: A strong shaft of natural sunlight cuts through an open barn door, illuminating dancing dust motes and highlighting the textures of the straw, the rough wood grain of the manger, and the matted fur of the dog. The rest of the barn is in warm shadow.
animal standing in natural pose